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- catalog abstract ""Howlett draws on the aesthetics of frame theory of demonstrate how the viewer's expectations for understanding the genre of Shakespeare on film - as intertextual and conceptual frames that include Shakespeare's drama, the world, and the audience's ideals - can be manipulated by the director's cinematic techniques." "Emphasizing that the successful film can transform Shakespeare's text while remaining rooted in Shakespearean conceptions, Howlett raises the question of how directors and audiences understand the genre of Shakespeare on film and reveals how the medium alters the patterns through which the audience views Shakespeare's drama."--Jacket.".
- catalog contributor b11978157.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description ""Howlett draws on the aesthetics of frame theory of demonstrate how the viewer's expectations for understanding the genre of Shakespeare on film - as intertextual and conceptual frames that include Shakespeare's drama, the world, and the audience's ideals - can be manipulated by the director's cinematic techniques." "Emphasizing that the successful film can transform Shakespeare's text while remaining rooted in Shakespearean conceptions, Howlett raises the question of how directors and audiences understand the genre of Shakespeare on film and reveals how the medium alters the patterns through which the audience views Shakespeare's drama."--Jacket.".
- catalog description "Includes bibliographical references (p. [231]-242) and index.".
- catalog description "Includes filmography (p. [243]-247).".
- catalog description "Introduction: rare visions -- The frame's the thing: Franco Zeffirelli's Hamlet -- The voyeuristic pleasures of perversion: Orson Welle's Othello -- Framing ambiguity: Kenneth Branagh's Henry V -- Breaking the frame: Akira Kurosawa's Ran -- Vivid negativity: Richard Loncraine's Richard III -- Utopian revisioning of Falstaff's tavern world: Orson Welle's Chimes at midnight and Gus Van Sant's My own private Idaho -- Playing on the rim of the frame: Kenneth Branagh's A midwinter's tale.".
- catalog extent "xvii, 255 p. :".
- catalog hasFormat "Framing Shakespeare on film.".
- catalog identifier "0821412477 (cloth : alk. paper)".
- catalog isFormatOf "Framing Shakespeare on film.".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Athens : Ohio University Press,".
- catalog relation "Framing Shakespeare on film.".
- catalog subject "791.43/6 21".
- catalog subject "English drama Film adaptations.".
- catalog subject "English drama Film and video adaptations.".
- catalog subject "Film adaptations History and criticism.".
- catalog subject "PR3093 .H69 2000".
- catalog subject "Shakespeare, William, 1564-1616 Film adaptations.".
- catalog subject "Shakespeare, William, 1564-1616 Film and video adaptations.".
- catalog tableOfContents "Introduction: rare visions -- The frame's the thing: Franco Zeffirelli's Hamlet -- The voyeuristic pleasures of perversion: Orson Welle's Othello -- Framing ambiguity: Kenneth Branagh's Henry V -- Breaking the frame: Akira Kurosawa's Ran -- Vivid negativity: Richard Loncraine's Richard III -- Utopian revisioning of Falstaff's tavern world: Orson Welle's Chimes at midnight and Gus Van Sant's My own private Idaho -- Playing on the rim of the frame: Kenneth Branagh's A midwinter's tale.".
- catalog title "Framing Shakespeare on film / Kathy M. Howlett.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "Film adaptations. fast".
- catalog type "text".