Data Portal @ linkeddatafragments.org

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/008591532/catalog> ?p ?o. }

• catalog abstract ""New Developments in Film Theory investigates how film studies have been influenced by major theoretical advances in postmodernism and poststructuralism while revealing how the study of film has affected those critical movements. Covering topics such as love, terror, the body and passion, and theories such as feminism, psychoanalysis, philosophy and semiotics, the author provides new and alternative methods for analysing film." "This book challenges conventional assumptions about film studies, offers a new approach and provides an explication of the most significant theoretical ideas to emerge in the humanities in the last fifty years."--Jacket.".
• catalog contributor b12026030.
• catalog created "2000.".
• catalog date "2000".
• catalog date "2000.".
• catalog dateCopyrighted "2000.".
• catalog description ""New Developments in Film Theory investigates how film studies have been influenced by major theoretical advances in postmodernism and poststructuralism while revealing how the study of film has affected those critical movements. Covering topics such as love, terror, the body and passion, and theories such as feminism, psychoanalysis, philosophy and semiotics, the author provides new and alternative methods for analysing film." "This book challenges conventional assumptions about film studies, offers a new approach and provides an explication of the most significant theoretical ideas to emerge in the humanities in the last fifty years."--Jacket.".
• catalog description "Includes bibliographical references (p. 203-206) and index.".
• catalog description "The gaze: masochism, identification and phantasy in the spectator : On the gaze ; Masochism ; Identification ; Phantasy ; The Punctum -- Dangerous supplements and the envy of the gaze : The imaginary and the drive ; The schema of the inverted bouquet ; Cinematic excess and the différance of cinema ; Dangerous supplements and cinema : Representing the supplement ; The filmic supplement -- The shattering pluralism: film and its discouses ; Semiotics and discourse ; Intertextuality : Structural reference : Thematic reference : Synecdochic structures ; Mosaic formations ; The shattering pluralism of film ; Cinematic power/knowledge -- Flesh into body into subject: the corporeality of the filmic discourse ; Desultory bodies ; Lacanomy and the extimaté : Economic drives ; Lacanian libidinal economy ; Cinematic libidinal economy: Skin : Lips : The tongue : Fluids ; The Mis-en-Scène of flesh: the cinematised body ; The perversions of the cinematic body -- The ideology of love: film and culture : Cinema and its discontents ; On love: The amatory drive : The kiss : True love/breathless love -- The carnivalesque: film and social order : Film and constructions of social order ; Dialogism and social inversion ; The reality effect -- The disruptive dispositif -- Film and meaning : Towards a phenomenology of cinema: The eidos of revenge : The appresentation of terror; the lacunae of the orgasm ; Cinematic epistemes and the dispositif ; The cinematic point du capiton ; The parergonal logic of the cienmatic frame -- Seduction: gender, genre, and power : Signs of seduction and the seductive sign : The first scene of seduction -- power/knowledge ; Seducation and genre ; The scene of seduction: the urphantasie of cinema: The second scene of seduction -- freedom and phantasy ; The seduction of light: The third scene of seduction -- obsession ; The fourth scene of seduction -- subjectivity ; The seduction of the dark: The fifth scene of seduction -- betrayal and revelation.".
• catalog extent "x, 211 p. :".
• catalog identifier "0312236174 (clothbound)".
• catalog identifier "0312236182 (pbk.)".
• catalog issued "2000".
• catalog issued "2000.".
• catalog language "eng".
• catalog publisher "New York : St. Martin's Press,".
• catalog subject "791.43/01 21".
• catalog subject "Film criticism.".
• catalog subject "PN1995 .F7847 2000".
• catalog tableOfContents "The gaze: masochism, identification and phantasy in the spectator : On the gaze ; Masochism ; Identification ; Phantasy ; The Punctum -- Dangerous supplements and the envy of the gaze : The imaginary and the drive ; The schema of the inverted bouquet ; Cinematic excess and the différance of cinema ; Dangerous supplements and cinema : Representing the supplement ; The filmic supplement -- The shattering pluralism: film and its discouses ; Semiotics and discourse ; Intertextuality : Structural reference : Thematic reference : Synecdochic structures ; Mosaic formations ; The shattering pluralism of film ; Cinematic power/knowledge -- Flesh into body into subject: the corporeality of the filmic discourse ; Desultory bodies ; Lacanomy and the extimaté : Economic drives ; Lacanian libidinal economy ; Cinematic libidinal economy: Skin : Lips : The tongue : Fluids ; The Mis-en-Scène of flesh: the cinematised body ; The perversions of the cinematic body -- The ideology of love: film and culture : Cinema and its discontents ; On love: The amatory drive : The kiss : True love/breathless love -- The carnivalesque: film and social order : Film and constructions of social order ; Dialogism and social inversion ; The reality effect -- The disruptive dispositif -- Film and meaning : Towards a phenomenology of cinema: The eidos of revenge : The appresentation of terror; the lacunae of the orgasm ; Cinematic epistemes and the dispositif ; The cinematic point du capiton ; The parergonal logic of the cienmatic frame -- Seduction: gender, genre, and power : Signs of seduction and the seductive sign : The first scene of seduction -- power/knowledge ; Seducation and genre ; The scene of seduction: the urphantasie of cinema: The second scene of seduction -- freedom and phantasy ; The seduction of light: The third scene of seduction -- obsession ; The fourth scene of seduction -- subjectivity ; The seduction of the dark: The fifth scene of seduction -- betrayal and revelation.".
• catalog title "New developments in film theory / Patrick Fuery.".
• catalog type "text".