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• catalog abstract ""This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language, a relation that cannot be taken as an 'object' of critical or philosophical reflection in the traditional manner. Exploring the exigencies of figuring this relation at the limits of language, the multifold writing of this volume takes the form of a 'triptych' (following the model of works by Francis Bacon) rather than that of a thesis. The central (and organizing) section of the volume contains an extended dialogue on two textual passages portraying versions of what the author describes as 'the death of the infans.' With the strange resonance of the 'primal' or the 'originary, ' these two scenes from works by Maurice Blanchot and Jacques Lacan invite a reflection on the mortal exposure that marks the human share in the advent of language, an exposure whose figuration is necessary to any speech or conscious life. The dialogue explores the ethical and philosophical issues that surface in a practice of writing (a 'pragmatics') that engages this necessary figuration, and thus the limits of language. The latter issues are also explored in a brief essay on Antigone that concludes the dialogical fiction. The first and third parts of the volume's triptych address artistic projects that realize in their respective ways a pragmatics like that of the central section. The first part focuses on the work of Francis Bacon, taking the motif of crucifixion as a path toward understanding his violent realism. This essay is prefaced by a consideration of the notion of cruelty to which Nietzsche appeals in The Genealogy of Morals. The third part, which juxtaposes a dialogue with a critical essay, concerns the work of Salvatore Puglia. Through Bacon and Puglia, the author seeks another approach to a figural imperative at the limits of language."--Back cover.".
• catalog contributor b12028614.
• catalog created "2000.".
• catalog date "2000".
• catalog date "2000.".
• catalog dateCopyrighted "2000.".
• catalog description ""This volume juxtaposes philosophical and psychoanalytic speculation with literary and artistic commentary in order to approach a set of questions concerning the human relation to language, a relation that cannot be taken as an 'object' of critical or philosophical reflection in the traditional manner. Exploring the exigencies of figuring this relation at the limits of language, the multifold writing of this volume takes the form of a 'triptych' (following the model of works by Francis Bacon) rather than that of a thesis. The central (and organizing) section of the volume contains an extended dialogue on two textual passages portraying versions of what the author describes as 'the death of the infans.' With the strange resonance of the 'primal' or the 'originary, ' these two scenes from works by Maurice Blanchot and Jacques Lacan invite a reflection on the mortal exposure that marks the human share in the advent of language, an exposure whose figuration is necessary to any speech or conscious life. The dialogue explores the ethical and philosophical issues that surface in a practice of writing (a 'pragmatics') that engages this necessary figuration, and thus the limits of language. The latter issues are also explored in a brief essay on Antigone that concludes the dialogical fiction. The first and third parts of the volume's triptych address artistic projects that realize in their respective ways a pragmatics like that of the central section. The first part focuses on the work of Francis Bacon, taking the motif of crucifixion as a path toward understanding his violent realism. This essay is prefaced by a consideration of the notion of cruelty to which Nietzsche appeals in The Genealogy of Morals. The third part, which juxtaposes a dialogue with a critical essay, concerns the work of Salvatore Puglia. Through Bacon and Puglia, the author seeks another approach to a figural imperative at the limits of language."--Back cover.".
• catalog description "Includes bibliographical references (p. 191-195) and index.".
• catalog description "What Remains at a Crucifixion -- A Preface on Cruelty: Nietzsche's Self-Examination -- What Remains at a Crucifixion -- Infant Figures -- Infant Figures -- Antigone's Friendship -- An Art of the Possible: A Dialogue with Salvatore Puglia -- Anonymous Figures.".
• catalog extent "ix, 199 p. :".
• catalog identifier "0804734070 (alk. paper)".
• catalog identifier "0804734089 (paper : alk. paper)".
• catalog issued "2000".
• catalog issued "2000.".
• catalog language "eng".
• catalog publisher "Stanford, Calif. : Stanford University Press,".
• catalog subject "401 21".
• catalog subject "Language and languages Philosophy.".
• catalog subject "Language and languages in literature.".
• catalog subject "P106 .F957 2000".
• catalog tableOfContents "What Remains at a Crucifixion -- A Preface on Cruelty: Nietzsche's Self-Examination -- What Remains at a Crucifixion -- Infant Figures -- Infant Figures -- Antigone's Friendship -- An Art of the Possible: A Dialogue with Salvatore Puglia -- Anonymous Figures.".
• catalog title "Infant figures : the death of the infans and other scenes of origin / Christopher Fynsk.".
• catalog type "text".