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- catalog abstract ""In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies." "Focusing on the key historical criticism and art-works, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism."--Jacket.".
- catalog contributor b12040440.
- catalog contributor b12040441.
- catalog created "c2001.".
- catalog date "2001".
- catalog date "c2001.".
- catalog dateCopyrighted "c2001.".
- catalog description ""Focusing on the key historical criticism and art-works, Brennan shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Brennan also discusses Stieglitz's relation to competing artistic and critical movements, including Thomas Hart Benton's regionalist art and Clement Greenberg's reformulation of formalism."--Jacket.".
- catalog description ""In Painting Gender, Constructing Theory, Marcia Brennan examines how Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artist's own gendered and psychic energies."".
- catalog description "Includes bibliographical references (p. 348-369) and index.".
- catalog description "Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.".
- catalog extent "xi, 377 p., [4] p. of plates :".
- catalog identifier "0262024888 (hc. : alk. paper)".
- catalog issued "2001".
- catalog issued "c2001.".
- catalog language "eng".
- catalog publisher "Cambridge, Mass. : MIT Press,".
- catalog spatial "United States.".
- catalog subject "709/.73/09042 21".
- catalog subject "Art, American 20th century.".
- catalog subject "Gender identity in art.".
- catalog subject "Modernism (Art) United States.".
- catalog subject "N6512.5.S75 B74 2001".
- catalog subject "Stieglitz Circle (Group of artists)".
- catalog subject "Stieglitz, Alfred, 1864-1946 Aesthetics.".
- catalog tableOfContents "Puritan repression and the Whitmanic ideal: the Stieglitz Circle and debates in American high culture, 1916-1929 -- Faith, love and the broken camera: Alfred Stieglitz and New York Dada -- Alfred Stieglitz and his critics: an aesthetics of intimacy -- Arthur Dove and Georgia O'Keeffe: corporeal transparency and strategies of inclusion -- John Marin: framed landscapes and embodied visions -- Marsden Hartley and Charles Demuth: the edges of the circle -- Modernism's masculine subjects: Alfred Stieglitz versus Thomas Hart Benton -- The contest for "the greatest American painter of the twentieth century": Alfred Stieglitz and Clement Greenberg.".
- catalog title "Painting gender, constructing theory : the Alfred Stieglitz Circle and American formalist aesthetics / Marcia Brennan.".
- catalog type "text".