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• catalog abstract ""Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertories - including that of Western music. This theoretical model is elucidated and illustrated with reference to numerous musical examples drawn from authentic recorded performances, many of which can be found on the accompanying CD. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation)." "More generally, the volume addresses the implications of cognitive processes for the organization of musical time, and the relationships between performance practice, theoretical speculation, and the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time."--BOOK JACKET.".
• catalog contributor b12050172.
• catalog created "2000.".
• catalog date "2000".
• catalog date "2000.".
• catalog dateCopyrighted "2000.".
• catalog description ""Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertories - including that of Western music. This theoretical model is elucidated and illustrated with reference to numerous musical examples drawn from authentic recorded performances, many of which can be found on the accompanying CD. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation)." "More generally, the volume addresses the implications of cognitive processes for the organization of musical time, and the relationships between performance practice, theoretical speculation, and the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time."--BOOK JACKET.".
• catalog description "1. Introduction -- 2. Theoretical perspectives I: musical time in Indian cultural perspective -- 3. Theoretical perspectives II: general theories of rhythm and metre -- 4. Tal theory as a model of rhythmic organization -- 5. Tal in practice: quantitative, qualitative, and cyclic functions -- 6. Lay: tempo and rhythmic density -- 7. Performance practice and rhythm in Hindustani music -- 8. The bandis -- 9. Development techniques and processes -- 10. Laykari: rhythmic variation -- 11. A case study in rhythmic analysis: instrumental vilambit and madhya lay gats in the repertoire of Deepak Choudhury (Maihar Gharana) -- 12. North Indian rhythmic organization in cross-cultural perspective.".
• catalog description "Artists on CD: Sabri Khan, sarangi (1st work) ; Amir Khan, vocals (2nd work) ; Amjad Ali Khan, sarod (3rd and 4th works) ; Daga Brothers (5th work) ; Bidur Mallik, vocals (6th work) ; Bhimsen Joshi, vocals (7th work) ; Shruti Sadolikar, vocals (8th work)".
• catalog description "Includes bibliographical references (p. [218]-224), discography (p. [216]-217) and index.".
• catalog extent "xx, 230 p. :".
• catalog identifier "0198166869".
• catalog isPartOf "Oxford monographs on music".
• catalog issued "2000".
• catalog issued "2000.".
• catalog language "eng".
• catalog publisher "Oxford ; New York : Oxford University Press,".
• catalog spatial "India".
• catalog spatial "India.".
• catalog subject "781.2/2/0954 21".
• catalog subject "Hindustani music History and criticism.".
• catalog subject "Hindustani music India.".
• catalog subject "ML338 .C593 2000".
• catalog subject "Music India History and criticism.".
• catalog subject "Music India.".
• catalog subject "Musical meter and rhythm.".
• catalog subject "Raga.".
• catalog subject "Ragas.".
• catalog subject "Tala.".
• catalog tableOfContents "1. Introduction -- 2. Theoretical perspectives I: musical time in Indian cultural perspective -- 3. Theoretical perspectives II: general theories of rhythm and metre -- 4. Tal theory as a model of rhythmic organization -- 5. Tal in practice: quantitative, qualitative, and cyclic functions -- 6. Lay: tempo and rhythmic density -- 7. Performance practice and rhythm in Hindustani music -- 8. The bandis -- 9. Development techniques and processes -- 10. Laykari: rhythmic variation -- 11. A case study in rhythmic analysis: instrumental vilambit and madhya lay gats in the repertoire of Deepak Choudhury (Maihar Gharana) -- 12. North Indian rhythmic organization in cross-cultural perspective.".
• catalog title "Time in Indian music : rhythm, metre, and form in North Indian rāg performance / Martin Clayton.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".