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- catalog abstract ""Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings he brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called "more boogie-woogie." By inscribing these so-called transatlantic works with a double date, for example "38/42," Mondrian emphasized the exceptional history of the series." "In this book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's unusual working method during this period. Their collaboration offers an intimate look into the studio of a great modern artist and establishes a new model for the integration of art history, theory, and technical analysis."--Jacket.".
- catalog alternative "Transatlantic paintings".
- catalog contributor b12066711.
- catalog contributor b12066712.
- catalog contributor b12066713.
- catalog contributor b12066714.
- catalog contributor b12066715.
- catalog created "c2001.".
- catalog date "2001".
- catalog date "c2001.".
- catalog dateCopyrighted "c2001.".
- catalog description ""In this book, Harry Cooper, an authority on Mondrian's art, and Ron Spronk, an expert on the technical examination of paintings, investigate the artist's unusual working method during this period. Their collaboration offers an intimate look into the studio of a great modern artist and establishes a new model for the integration of art history, theory, and technical analysis."--Jacket.".
- catalog description ""Just before World War II, Piet Mondrian fled from Paris to London and later to New York, where he lived until his death in 1944. Upon his arrival in Manhattan, the artist began reworking seventeen of the paintings he brought with him, many of which had already been finished and exhibited. He changed lines and added blocks and bars of color to give them what he called "more boogie-woogie." By inscribing these so-called transatlantic works with a double date, for example "38/42," Mondrian emphasized the exceptional history of the series."".
- catalog description "Includes bibliographical references (p. 244-251) and index.".
- catalog description "The surface in time: notes on an aspect of Mondrian's critical reception / Harry Cooper -- Looing into the transatlantic paintings -- Revealing revisions: the transatlantic paintings in the laboratory / Ron Spronk.".
- catalog extent "xi, 263 p. :".
- catalog identifier "0300089287 (cloth)".
- catalog identifier "1891771175 (paper)".
- catalog issued "2001".
- catalog issued "c2001.".
- catalog language "eng".
- catalog publisher "New Haven : Yale University Press ; Cambridge, Mass. : Harvard University Art Museums,".
- catalog subject "759.9492 21".
- catalog subject "Mondrian, Piet, 1872-1944 Criticism and interpretation.".
- catalog subject "Mondrian, Piet, 1872-1944 Exhibitions.".
- catalog subject "ND653.M76 C66 2001".
- catalog subject "Painting Technique.".
- catalog tableOfContents "The surface in time: notes on an aspect of Mondrian's critical reception / Harry Cooper -- Looing into the transatlantic paintings -- Revealing revisions: the transatlantic paintings in the laboratory / Ron Spronk.".
- catalog title "Mondrian, the transatlantic paintings / Harry Cooper, Ron Spronk.".
- catalog title "Transatlantic paintings".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".