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- catalog contributor b12104382.
- catalog created "2001.".
- catalog date "2001".
- catalog date "2001.".
- catalog dateCopyrighted "2001.".
- catalog description "From Charcot to Charlot: The Corporeal Unconscious -- Imitation and Contagion: Magnetism as Popular Entertainment -- The Cabaret and the Body Out of Control -- Pantomime and the Zigzag -- Hypnotism, Somnambulism, and Early Cinema -- Hysterical Gesture and Movement in Early Film Comedy -- Epilogue: Shock Waves in the New Wave and in the Films of Jerry Lewis -- Clowns, Spies, and Automatons in Lang and Lubitsch.".
- catalog description "Includes bibliographical references (p. [249]-265) and index.".
- catalog extent "xix, 274 p. :".
- catalog identifier "0804738939 (alk. paper)".
- catalog identifier "0804738947 (pbk.)".
- catalog issued "2001".
- catalog issued "2001.".
- catalog language "eng".
- catalog publisher "Stanford, Calif. : Stanford University Press,".
- catalog spatial "France Paris".
- catalog subject "792.7/09443/6109034 21".
- catalog subject "Hysteria in motion pictures.".
- catalog subject "Hysteria.".
- catalog subject "Lewis, Jerry, 1926- Criticism and interpretation.".
- catalog subject "Music-halls (Variety-theaters, cabarets, etc.) France Paris History 19th century.".
- catalog subject "PN1969.C34 G67 2001".
- catalog tableOfContents "From Charcot to Charlot: The Corporeal Unconscious -- Imitation and Contagion: Magnetism as Popular Entertainment -- The Cabaret and the Body Out of Control -- Pantomime and the Zigzag -- Hypnotism, Somnambulism, and Early Cinema -- Hysterical Gesture and Movement in Early Film Comedy -- Epilogue: Shock Waves in the New Wave and in the Films of Jerry Lewis -- Clowns, Spies, and Automatons in Lang and Lubitsch.".
- catalog title "Why the French love Jerry Lewis : from cabaret to early cinema / Rae Beth Gordon.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".