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• catalog contributor b12154765.
• catalog created "c2001.".
• catalog date "2001".
• catalog date "c2001.".
• catalog dateCopyrighted "c2001.".
• catalog description "1940s to mid-1950s: Cultural and historical context for World War II and the Cold War -- Critical responses: the transition to abstract expressionism and "pure" painting -- New York School: voices of individual artists -- The figurative artists in the postwar years -- The Cold War and the arts -- 1955-1967: Cultural and historical context for a consumer and technological society -- Assemblage, installations, happenings, events, performance -- New York Pop, West Coast Funk, and Chicago "sub-Pop" -- Minimal art -- 1968-1980: Cultural and historical context for the Vietnam War era -- Dematerialization: conceptual art, systems, earth art -- Realism and figuration -- The Vietnam War, political art, political criticism -- Black arts movement -- Women's movement -- 1980s-1990s: Cultural and historical context for the age of Reagan and postmodernism -- Exit modernism, enter postmodern critique -- New painting and sculpture -- Word-based, photo-based, and theory-based art -- ".
• catalog description "1990-1920: Cultural and historical context for the first twenty years -- Early twentieth-century realists -- The critical issues: modernism and American consciousness -- New forms for a new century -- Photography as art, photography as a tool for reform -- Armory show, independents show of 1917, and New York Dada -- The 1920s: Cultural and historical context for the Jazz Age -- Machine age modernism and modernity -- Cultural nationalism -- defining American: the usable past, the local, the popular -- Cultural primitivism -- defining authenticity: the usable "other" and natural men and women -- The new Negro -- Artists abroad -- The 1930s: Cultural and historical context for the Depression years -- The Depression experience -- Revolutionary theory and practice -- the search for styles -- Mexican artists in the United Stated -- Government projects -- Nationalism and racialism in the arts as issues in the 1930s -- ".
• catalog description "Identities unmasked, classifications resisted -- Bodies reclaimed -- Censorship and propaganda in art and visual culture -- The construction of knowledge: museums, art history, and studio practices -- Art in public spaces.".
• catalog description "Includes bibliographical references (p. 455-462) and index.".
• catalog extent "xviii, 478 p. :".
• catalog identifier "0130361380 (pbk.)".
• catalog issued "2001".
• catalog issued "c2001.".
• catalog language "eng".
• catalog publisher "Upper Saddle River, NJ : Prentice Hall,".
• catalog subject "700.973/09/04 21".
• catalog subject "Art, American 20th century Sources.".
• catalog subject "N6512 .H47 2001".
• catalog tableOfContents "1940s to mid-1950s: Cultural and historical context for World War II and the Cold War -- Critical responses: the transition to abstract expressionism and "pure" painting -- New York School: voices of individual artists -- The figurative artists in the postwar years -- The Cold War and the arts -- 1955-1967: Cultural and historical context for a consumer and technological society -- Assemblage, installations, happenings, events, performance -- New York Pop, West Coast Funk, and Chicago "sub-Pop" -- Minimal art -- 1968-1980: Cultural and historical context for the Vietnam War era -- Dematerialization: conceptual art, systems, earth art -- Realism and figuration -- The Vietnam War, political art, political criticism -- Black arts movement -- Women's movement -- 1980s-1990s: Cultural and historical context for the age of Reagan and postmodernism -- Exit modernism, enter postmodern critique -- New painting and sculpture -- Word-based, photo-based, and theory-based art -- ".
• catalog tableOfContents "1990-1920: Cultural and historical context for the first twenty years -- Early twentieth-century realists -- The critical issues: modernism and American consciousness -- New forms for a new century -- Photography as art, photography as a tool for reform -- Armory show, independents show of 1917, and New York Dada -- The 1920s: Cultural and historical context for the Jazz Age -- Machine age modernism and modernity -- Cultural nationalism -- defining American: the usable past, the local, the popular -- Cultural primitivism -- defining authenticity: the usable "other" and natural men and women -- The new Negro -- Artists abroad -- The 1930s: Cultural and historical context for the Depression years -- The Depression experience -- Revolutionary theory and practice -- the search for styles -- Mexican artists in the United Stated -- Government projects -- Nationalism and racialism in the arts as issues in the 1930s -- ".
• catalog tableOfContents "Identities unmasked, classifications resisted -- Bodies reclaimed -- Censorship and propaganda in art and visual culture -- The construction of knowledge: museums, art history, and studio practices -- Art in public spaces.".
• catalog title "Modern art in the USA : issues and controversies of the 20th century / Patricia Hills.".
• catalog type "Sources. fast".
• catalog type "text".