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- catalog abstract ""Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket.".
- catalog alternative "Series and singles".
- catalog contributor b12157182.
- catalog contributor b12157183.
- catalog contributor b12157184.
- catalog created "2000.".
- catalog date "2000".
- catalog date "2000.".
- catalog dateCopyrighted "2000.".
- catalog description ""Thirteen years after his death, Andy Warhol's art is more dominant and omnipresent than ever before. In particular, his serial works - the Campbell's Soup Can, Jackie, Marilyn, Mao, and others - have been reproduced everywhere and have profoundly influenced our perception and thinking about mass culture. This striking book is a highly original survey of Warhol's entire creative output." "The book begins with an overview of Warhol's work by Ernst Beyeler and Georg Frei that ranges over the Campbell's Soup Can pictures, Warhol's first attempt at using a succession of images based on the same motif in various paintings; the early silk screen prints (portraits of such teenage idols as Elvis Presley, Warren Beatty, and Natalie Wood); the Disaster pictures, which reveal the dark side of American consumer positivism; and the later works, including the Last Supper in which Warhol celebrates his own immortality. Peter Gidal then discusses two of Warhol's single works, the monumental Saturday's Disaster and the thirty-minute film Blow Job, and Edward Sanders examines some of Warhol's images in the context of his life and times. Together the text and copious illustrations are a magnificent testimony to Warhol's contributions to the world of art."--Jacket.".
- catalog description "Includes bibliographical references (p. 212-214).".
- catalog description "Once is never, Warhol's Saturday disaster & Blowjob / Peter Gidal -- Andy Warhol and the glyph / Edward Sanders.".
- catalog extent "216 p. :".
- catalog identifier "0300089945".
- catalog identifier "3770155483".
- catalog issued "2000".
- catalog issued "2000.".
- catalog language "eng".
- catalog publisher "Riehen/Basel : Fondation Beyeler,".
- catalog subject "760/.092 21".
- catalog subject "N6537.W28 A4 2000a".
- catalog subject "Warhol, Andy, 1928-1987 Exhibitions.".
- catalog tableOfContents "Once is never, Warhol's Saturday disaster & Blowjob / Peter Gidal -- Andy Warhol and the glyph / Edward Sanders.".
- catalog title "Andy Warhol : series and singles : exhibition, Riehen/Basel, 17 Sept.-Dec. 2000 / with essays by Ernst Beyeler ... [et al.].".
- catalog title "Series and singles".
- catalog type "Exhibition catalogs. fast".
- catalog type "text".