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- catalog abstract ""Operatic Subjects argues that opera is more than just a conservative and belated reflection of social, intellectual, and artistic trends; opera in its own way actively has contributed to the creation of the conceptual vocabulary of modernism. Particularly, this work maintains that opera has helped form our notions of what it means to be a self in twentieth-century western culture."--Jacket.".
- catalog contributor b12159366.
- catalog created "c2000.".
- catalog date "2000".
- catalog date "c2000.".
- catalog dateCopyrighted "c2000.".
- catalog description ""Operatic Subjects argues that opera is more than just a conservative and belated reflection of social, intellectual, and artistic trends; opera in its own way actively has contributed to the creation of the conceptual vocabulary of modernism. Particularly, this work maintains that opera has helped form our notions of what it means to be a self in twentieth-century western culture."--Jacket.".
- catalog description "1. Subject, Subjectivity, and Opera -- 2. Operatic Form: Drama and Music -- 3. Wagner and the Self -- 4. Post-Wagnerian Opera: The Interior Self -- 5. Allegories of the Subject: Strauss and Hofmannsthal -- 6. Individual and Society: Berg and Weill -- 7. The Absent Center: Berg and Schoenberg -- 8. Minimalism and the Self: Glass and Adams -- 9. Conclusion: Heterogeneity of Persons and Sounds -- Messiaen.".
- catalog description "Includes bibliographical references (p. 207-224) and index.".
- catalog extent "227 p. ;".
- catalog identifier "0838638589 (alk. paper)".
- catalog issued "2000".
- catalog issued "c2000.".
- catalog language "eng".
- catalog publisher "Madison [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses,".
- catalog subject "782.1 21".
- catalog subject "ML1700 .C73 2000".
- catalog subject "Music Philosophy and aesthetics.".
- catalog subject "Opera 19th century.".
- catalog subject "Opera 20th century.".
- catalog subject "Subjectivity in opera.".
- catalog tableOfContents "1. Subject, Subjectivity, and Opera -- 2. Operatic Form: Drama and Music -- 3. Wagner and the Self -- 4. Post-Wagnerian Opera: The Interior Self -- 5. Allegories of the Subject: Strauss and Hofmannsthal -- 6. Individual and Society: Berg and Weill -- 7. The Absent Center: Berg and Schoenberg -- 8. Minimalism and the Self: Glass and Adams -- 9. Conclusion: Heterogeneity of Persons and Sounds -- Messiaen.".
- catalog title "Operatic subjects : the evolution of self in modern opera / Sandra Corse.".
- catalog type "text".