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catalog abstract ""This book explores a new interpretation of Andy Warhol's The Last Supper Series. It brings together two worlds, the sacred and the secular. By showing how the sacred is manifest in advertising, it demonstrates the metaphorical power of popular imagery. Warhol bore out the proposition that an artist is essentially a 'Yours faithfully'. The essence of his Last Supper series lies in the mystery that should remain so: 'mirari non rimari sapientia vera est'. To scrutinize the host would be unfaithful to Christ, who said: 'This is my Body'. To perceive Warhol's work as simply signifying itself would be unfaithful to the most influential American artist. A case in point is The Last Supper (Dove): pictorial analysis proves that Leonardo's Il Genacolo was not robbed of its sublimity. Warhol remained faithfully to it as a means of unveiling the holy."--BOOK JACKET.".
catalog contributor b12171770.
catalog contributor b12171771.
catalog created "2001.".
catalog date "2001".
catalog date "2001.".
catalog dateCopyrighted "2001.".
catalog description ""This book explores a new interpretation of Andy Warhol's The Last Supper Series. It brings together two worlds, the sacred and the secular. By showing how the sacred is manifest in advertising, it demonstrates the metaphorical power of popular imagery. Warhol bore out the proposition that an artist is essentially a 'Yours faithfully'. The essence of his Last Supper series lies in the mystery that should remain so: 'mirari non rimari sapientia vera est'. To scrutinize the host would be unfaithful to Christ, who said: 'This is my Body'. To perceive Warhol's work as simply signifying itself would be unfaithful to the most influential American artist.".
catalog description "A case in point is The Last Supper (Dove): pictorial analysis proves that Leonardo's Il Genacolo was not robbed of its sublimity. Warhol remained faithfully to it as a means of unveiling the holy."--BOOK JACKET.".
catalog description "Includes bibliographical references (p. 135-137) and index.".
catalog description "Introduction: The Mystery of Warhol -- Assignment and Reception of Warhol's Last Supper -- Warhol: "What should I paint?" -- Warhol's Impersonality -- The More is Hidden, the More to Decipher -- Pre-Pop Period -- Pop Period -- Post-Pop Period -- Art and Commodity -- Various Commissions -- Art, an Enigma? -- Art, a Commodity? -- Art: Ready-made? -- Art: Business Art? -- Is it Art? -- Art and Intention -- Art History and Interpretation -- Intention and Interpretation -- Reviewing The Last Supper Series -- Intuition and Understanding -- Intention and Interpretation -- Conflicting Interpretations -- Various Approaches -- The Aura of Art -- The Risk and Responsibility of Interpreting Warhol's Last Supper -- Pictures, Representation and Perspective -- The Return of Representation -- Representation and Interpretation -- Traces of Representation -- Title as Trace -- Perspective, Paradigm or Symbolic Form? -- The Creator's Instructions -- Image and Idea -- Value and Validity of the Image -- Representation of Representation -- Iconoclasm and Representation -- The Eucharist: an Image? -- Most Profane of Painters, Leonardo or Warhol? -- Epilogue: Andy Warhol, Priest -- Connecting the Fetish with the Commodity -- The Nucleus of the Warhol Debate: Conclusion.".
catalog extent "xi, 144 p. :".
catalog identifier "9004119159".
catalog issued "2001".
catalog issued "2001.".
catalog language "eng".
catalog publisher "Leiden ; Boston : Brill,".
catalog spatial "United States.".
catalog subject "709/.2 21".
catalog subject "Appropriation (Art) United States.".
catalog subject "Leonardo, da Vinci, 1452-1519. Last Supper Influence.".
catalog subject "N6537.W28 K38 2001".
catalog subject "Warhol, Andy, 1928-1987 Criticism and interpretation.".
catalog subject "Warhol, Andy, 1928-1987. Last Supper.".
catalog tableOfContents "Introduction: The Mystery of Warhol -- Assignment and Reception of Warhol's Last Supper -- Warhol: "What should I paint?" -- Warhol's Impersonality -- The More is Hidden, the More to Decipher -- Pre-Pop Period -- Pop Period -- Post-Pop Period -- Art and Commodity -- Various Commissions -- Art, an Enigma? -- Art, a Commodity? -- Art: Ready-made? -- Art: Business Art? -- Is it Art? -- Art and Intention -- Art History and Interpretation -- Intention and Interpretation -- Reviewing The Last Supper Series -- Intuition and Understanding -- Intention and Interpretation -- Conflicting Interpretations -- Various Approaches -- The Aura of Art -- The Risk and Responsibility of Interpreting Warhol's Last Supper -- Pictures, Representation and Perspective -- The Return of Representation -- Representation and Interpretation -- Traces of Representation -- Title as Trace -- Perspective, Paradigm or Symbolic Form? -- The Creator's Instructions -- Image and Idea -- Value and Validity of the Image -- Representation of Representation -- Iconoclasm and Representation -- The Eucharist: an Image? -- Most Profane of Painters, Leonardo or Warhol? -- Epilogue: Andy Warhol, Priest -- Connecting the Fetish with the Commodity -- The Nucleus of the Warhol Debate: Conclusion.".
catalog title "Andy Warhol, priest : "The Last Supper comes in small, medium, and large" / by Peter Kattenberg.".
catalog type "Criticism, interpretation, etc. fast".
catalog type "text".