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• catalog contributor b12264177.
• catalog created "2001.".
• catalog date "2001".
• catalog date "2001.".
• catalog dateCopyrighted "2001.".
• catalog description "(cont.) Modernism, anti-art, and the Bauhaus -- Modernism and purity -- The case of photography -- Anti-art -- The Bauhaus -- Three philosopher-critics on the division of art -- Modernism and formalism triumphant -- Beyond art and craft? -- "Primitive" art -- Crafts-as-art -- Architecture as art -- The photography-as-art boom -- The "death of literature"? -- Mass art -- Art and life -- Public art.".
• catalog description "Includes bibliographical references (p. 319-341) and index.".
• catalog description "The Greeks had no word for it -- Art, teche, ars -- The artisan/artist -- Beauty and function -- Aquinas's saw -- From "servile" to "mechanical" arts -- Articifers -- The idea of beauty -- Michelangelo and Shakespeare : art on the rise -- Opening up the liberal arts -- The changing status of artisan/artists -- The ideal qualities of the artisan/artist -- Shakespeare, Jonson, and the "work" -- A proto-aesthetic? -- Artemisia's allegory : art in transition -- The artisan/artist's continuing struggle fro status -- The image of the artisan/artist -- Steps toward the category of fine art -- The role of taste -- Polite arts for the polite classes -- Constructing the category of fine art -- The new institutions of fine art -- The new art public -- The artist, the work, and the market -- The separation of the artist from the artisan -- The ideal image of the artist -- The fate of the artisan -- The gender or genius -- The ideal of the "work of art" -- From patronage to the market -- From taste to the aesthetic -- learning aesthetic behavior -- The art public and the problem of taste -- The elements of the aesthetic -- Kant and Schiller sum up the aesthetic -- Hogarth, Rousseau, Wollstonecraft -- Hogarth's "hedonist aesthetics" -- Rousseau's festival aesthetics -- Wollstonecraft and the beauty of justice -- Revolution : music, festival, museum -- The collapse of patronage -- The revolutionary festivals -- Revolutionary music -- The revolution and the museum -- Art as redemptive revelation -- Art becomes an independent realm -- The spiritual elevation of art -- The artist : a sacred calling -- the exalted image of the artist -- the descent of the artisan -- Silences : triumph of the aesthetic -- Learning aesthetic behavior -- The rise of the aesthetic and the decline of beauty -- The problem of art and society -- Assimilation and resistance -- The assimilation of photography -- Varieties of resistance : Emerson, Marx, Ruskin, Morris -- The Arts and Crafts movement --".
• catalog extent "xix, 362 p. :".
• catalog identifier "0226753425 (alk. paper)".
• catalog issued "2001".
• catalog issued "2001.".
• catalog language "eng".
• catalog publisher "Chicago : University of Chicago Press,".
• catalog subject "700/.9 21".
• catalog subject "Arts History.".
• catalog subject "Arts Philosophy.".
• catalog subject "NX440 .S5 2001".
• catalog tableOfContents "(cont.) Modernism, anti-art, and the Bauhaus -- Modernism and purity -- The case of photography -- Anti-art -- The Bauhaus -- Three philosopher-critics on the division of art -- Modernism and formalism triumphant -- Beyond art and craft? -- "Primitive" art -- Crafts-as-art -- Architecture as art -- The photography-as-art boom -- The "death of literature"? -- Mass art -- Art and life -- Public art.".
• catalog tableOfContents "The Greeks had no word for it -- Art, teche, ars -- The artisan/artist -- Beauty and function -- Aquinas's saw -- From "servile" to "mechanical" arts -- Articifers -- The idea of beauty -- Michelangelo and Shakespeare : art on the rise -- Opening up the liberal arts -- The changing status of artisan/artists -- The ideal qualities of the artisan/artist -- Shakespeare, Jonson, and the "work" -- A proto-aesthetic? -- Artemisia's allegory : art in transition -- The artisan/artist's continuing struggle fro status -- The image of the artisan/artist -- Steps toward the category of fine art -- The role of taste -- Polite arts for the polite classes -- Constructing the category of fine art -- The new institutions of fine art -- The new art public -- The artist, the work, and the market -- The separation of the artist from the artisan -- The ideal image of the artist -- The fate of the artisan -- The gender or genius -- The ideal of the "work of art" -- From patronage to the market -- From taste to the aesthetic -- learning aesthetic behavior -- The art public and the problem of taste -- The elements of the aesthetic -- Kant and Schiller sum up the aesthetic -- Hogarth, Rousseau, Wollstonecraft -- Hogarth's "hedonist aesthetics" -- Rousseau's festival aesthetics -- Wollstonecraft and the beauty of justice -- Revolution : music, festival, museum -- The collapse of patronage -- The revolutionary festivals -- Revolutionary music -- The revolution and the museum -- Art as redemptive revelation -- Art becomes an independent realm -- The spiritual elevation of art -- The artist : a sacred calling -- the exalted image of the artist -- the descent of the artisan -- Silences : triumph of the aesthetic -- Learning aesthetic behavior -- The rise of the aesthetic and the decline of beauty -- The problem of art and society -- Assimilation and resistance -- The assimilation of photography -- Varieties of resistance : Emerson, Marx, Ruskin, Morris -- The Arts and Crafts movement --".
• catalog title "The invention of art : cultural history / Larry Shiner.".
• catalog type "text".