Harvard |

Harvard

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/008757511/catalog> ?p ?o. }

Showing items 1 to 22 of 22 with 100 items per page.

catalog abstract "The interactive relationship between the piano and the orchestra in Mozart's concertos is an issue central to the appreciation of these great works, but one that has not yet received serious attention, a gap which this new study seeks to remedy by exploring the historical implications and hermeneutic potential of dramatic dialogue. The author shows that invocations of dramatic dialogue are deeply ingrained in late-eighteenth-century writings on instrumental music, and he develops this theme into an original and highly positive view of solo/orchestra relations in Mozart's concertos. He analyses behavioural patterns in the concertos and links them to theoretical discussion of late-eighteenth-century drama and to analogous relational development in Mozart's operas Idomeneo, Die Entführung aus dem Serail, Le nozze di Figaro and Don Giovanni. Mozart's piano concertos emerge afresh from this new approach as an extraordinary medium of Enlightenment, as significant in their way as the greatest late-eighteenth-century operatic and theatrical works [Publisher description]".
catalog contributor b12272933.
catalog created "2001.".
catalog date "2001".
catalog date "2001.".
catalog dateCopyrighted "2001.".
catalog description "Includes bibliographical references (p. [187]-200) and indexes.".
catalog description "Part I : Theories and Contexts -- Heinrich Christoph Koch's Commentary on the Late-Eighteenth-Century Concerto. Dialogue in the Late-Eighteenth-Century Concerto ; Drama in the Late-Eighteenth-Century Concerto ; Dialogue, Drama and Solo/Orchestra Relations in Mozart's Piano Concertos -- Antoine Reicha's Dialogue. Understandings of Music Dialogue in the Eighteenth Century ; Reicha's Understanding of Dialogue ; Definitions of Musical Dialogue in the Context of Mozart's Piano Concertos -- Part II : Style -- Mozart's Piano Concertos and Late-Eighteenth-Century Dramatic Dialogue. Co-operation and Competition in Late-Eighteenth-Century Dramatic Dialogue and Concerto Dialogue ; Dramatic Dialogue and Piano/Orchestra Relations in the First Movements of K. 449, 450 and 482 ; Similarities between Piano/Orchestra Relations in Mozart's Concertos and Character Relations in Late-Eighteenth-Century Classical Plays -- Towards a Dialogic Apotheosis. The First Movement of K. 491 in Comparison to Mozart's Earlier Piano Concertos ; K. 491 and Beyond ; The Significance of K. 491 among Mozart's Piano Concertos -- From Opera to Concerto to Opera (1780-1787). Dialogic Confrontations in Entführung, Figaro, Don Giovanni and Mozart's Piano Concertos ; Dialogue and Co-operation : Idomeneo, Entführung, Figaro, Don Giovanni and Mozart's Piano Concertos ; Developments in Mozart's Dramatic Dialogue, 1780-1787 -- Dialogue and Drama in Mozart's Three-Movement Concerto Cycles. Reinforced Resolution to Confrontation ; Recurring Dialogic Procedures in the First and Second Movements of Mozart's Piano Concertos ; The Concerto Finales : Dialogic Culminations to Mozart's Three-Movement Cycles ; The Drama of Mozart's Three-Movement Cycles.".
catalog description "The interactive relationship between the piano and the orchestra in Mozart's concertos is an issue central to the appreciation of these great works, but one that has not yet received serious attention, a gap which this new study seeks to remedy by exploring the historical implications and hermeneutic potential of dramatic dialogue. The author shows that invocations of dramatic dialogue are deeply ingrained in late-eighteenth-century writings on instrumental music, and he develops this theme into an original and highly positive view of solo/orchestra relations in Mozart's concertos. He analyses behavioural patterns in the concertos and links them to theoretical discussion of late-eighteenth-century drama and to analogous relational development in Mozart's operas Idomeneo, Die Entführung aus dem Serail, Le nozze di Figaro and Don Giovanni. Mozart's piano concertos emerge afresh from this new approach as an extraordinary medium of Enlightenment, as significant in their way as the greatest late-eighteenth-century operatic and theatrical works [Publisher description]".
catalog extent "x, 205 p. :".
catalog identifier "085115834X (alk. paper)".
catalog issued "2001".
catalog issued "2001.".
catalog language "eng".
catalog publisher "Rochester, NY : Boydell Press,".
catalog subject "784.2/62/092 21".
catalog subject "ML410.M9 K25 2001".
catalog subject "Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation.".
catalog subject "Mozart, Wolfgang Amadeus, 1756-1791. Concertos, piano, orchestra.".
catalog tableOfContents "Part I : Theories and Contexts -- Heinrich Christoph Koch's Commentary on the Late-Eighteenth-Century Concerto. Dialogue in the Late-Eighteenth-Century Concerto ; Drama in the Late-Eighteenth-Century Concerto ; Dialogue, Drama and Solo/Orchestra Relations in Mozart's Piano Concertos -- Antoine Reicha's Dialogue. Understandings of Music Dialogue in the Eighteenth Century ; Reicha's Understanding of Dialogue ; Definitions of Musical Dialogue in the Context of Mozart's Piano Concertos -- Part II : Style -- Mozart's Piano Concertos and Late-Eighteenth-Century Dramatic Dialogue. Co-operation and Competition in Late-Eighteenth-Century Dramatic Dialogue and Concerto Dialogue ; Dramatic Dialogue and Piano/Orchestra Relations in the First Movements of K. 449, 450 and 482 ; Similarities between Piano/Orchestra Relations in Mozart's Concertos and Character Relations in Late-Eighteenth-Century Classical Plays -- Towards a Dialogic Apotheosis. The First Movement of K. 491 in Comparison to Mozart's Earlier Piano Concertos ; K. 491 and Beyond ; The Significance of K. 491 among Mozart's Piano Concertos -- From Opera to Concerto to Opera (1780-1787). Dialogic Confrontations in Entführung, Figaro, Don Giovanni and Mozart's Piano Concertos ; Dialogue and Co-operation : Idomeneo, Entführung, Figaro, Don Giovanni and Mozart's Piano Concertos ; Developments in Mozart's Dramatic Dialogue, 1780-1787 -- Dialogue and Drama in Mozart's Three-Movement Concerto Cycles. Reinforced Resolution to Confrontation ; Recurring Dialogic Procedures in the First and Second Movements of Mozart's Piano Concertos ; The Concerto Finales : Dialogic Culminations to Mozart's Three-Movement Cycles ; The Drama of Mozart's Three-Movement Cycles.".
catalog title "Mozart's piano concertos : dramatic dialogue in the Age of Enlightenment / Simon P. Keefe.".
catalog type "text".