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- catalog abstract ""This book contains close readings of postmodern dances and dance films informed by current critical theories. It explores the roles dance and space play in constructing subjectivity. Focusing on site-specific dance, the mutual construction of bodies and spaces, body/space interfaces and in-between spaces, the dances and dance films are read 'against the grain' to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual, able-bodied male norm."--Jacket.".
- catalog contributor b12314132.
- catalog created "2001.".
- catalog date "2001".
- catalog date "2001.".
- catalog dateCopyrighted "2001.".
- catalog description ""This book contains close readings of postmodern dances and dance films informed by current critical theories. It explores the roles dance and space play in constructing subjectivity. Focusing on site-specific dance, the mutual construction of bodies and spaces, body/space interfaces and in-between spaces, the dances and dance films are read 'against the grain' to reveal their potential for troubling conventional notions of subjectivity associated with a white, Western, heterosexual, able-bodied male norm."--Jacket.".
- catalog description "1. Introduction -- pt. I. Constructions of Space and Subjectivity -- 2. Travel metaphors in dance -- gendered constructions of travel, spaces and subjects -- 3. Transforming city spaces and subjects -- 4. Coastal constructions in Lea Anderson's Out on the Windy Beach -- pt. II. Dancing in the 'In-Between Spaces' -- 5. Desire spatialized differently in dances that can be read as lesbian -- 6. Hybridity and nomadic subjectivity in Shobana Jeyasingh's Duets with Automobiles -- 7. Crossing the (black) Atlantic: spatial and temporal displacements in Meredith Monk's Ellis Island and Jonzi D's Aeroplane Man -- pt. III. Inside/Outside Bodies and Spaces -- 8. Fleshy corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith -- 9. 'Carnivalesque' subversions in Mark Morris' Dogtown, Liz Aggiss' Grotesque Dancer and Emilyn Claid's Across Your Heart.".
- catalog description "Includes bibliographical references (p. 213-221) and index.".
- catalog extent "xviii, 234 p., [8] p. of plates :".
- catalog identifier "0333919734".
- catalog issued "2001".
- catalog issued "2001.".
- catalog language "eng".
- catalog publisher "Houndmills, Basingstoke, Hampshire ; New York : Palgrave,".
- catalog subject "792.8 21".
- catalog subject "Dance Reviews.".
- catalog subject "GV1594 .B75 2001".
- catalog subject "Postmodernism.".
- catalog tableOfContents "1. Introduction -- pt. I. Constructions of Space and Subjectivity -- 2. Travel metaphors in dance -- gendered constructions of travel, spaces and subjects -- 3. Transforming city spaces and subjects -- 4. Coastal constructions in Lea Anderson's Out on the Windy Beach -- pt. II. Dancing in the 'In-Between Spaces' -- 5. Desire spatialized differently in dances that can be read as lesbian -- 6. Hybridity and nomadic subjectivity in Shobana Jeyasingh's Duets with Automobiles -- 7. Crossing the (black) Atlantic: spatial and temporal displacements in Meredith Monk's Ellis Island and Jonzi D's Aeroplane Man -- pt. III. Inside/Outside Bodies and Spaces -- 8. Fleshy corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith -- 9. 'Carnivalesque' subversions in Mark Morris' Dogtown, Liz Aggiss' Grotesque Dancer and Emilyn Claid's Across Your Heart.".
- catalog title "Dance, space, and subjectivity / Valerie A. Briginshaw.".
- catalog type "text".