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• catalog abstract ""The devotion of Henri Matisse to the human figure led him to make portraits of many different sitters - members of his family, fellow artists, professionals in other fields, partrons, and various others. At key points in his career he was also an obsessive observer of himself, creating intense series of self-portraits. This book, with some 200 illustrations, offers the first comprehensive account of Matisse's activity as a maker of portraits and self-portraits." "Matisse scholar John Klein goes beyond standard approaches to portraiture that focus on questions of likeness and expression of character. He considers the transaction that produces a portrait - a transaction between the artist and the sitter (even when the sitter is oneself) that is social as much as artistic. Klein investigates the various social contexts of Matisse's sitters and finds that differences among these contexts produced different kinds of portraits and self-portraits with different goals. This was in part due to the personal and social identity of the sitter, but partly also to Matisse's self-perception with respect to the sitter and his goal of engaging the genre as a mode of personal expression. The author also addresses the question of whether depictions of hired models can be considered as portraits and concludes that they lack the social context that is necessary to portraiture. Through the psychological and contextual examination of Matisse's portraits and self-portraits, Klein throws new light on an important body of work by this influential artist. He discusses also the portrait practice of some of Matisse's contemporaries - Picasso, Derain, Cezanne, and others - to develop fresh insights into the status of portraiture within twentieth-century art as a whole."--Jacket.".
• catalog contributor b12335414.
• catalog created "c2001.".
• catalog date "2001".
• catalog date "c2001.".
• catalog dateCopyrighted "c2001.".
• catalog description ""The devotion of Henri Matisse to the human figure led him to make portraits of many different sitters - members of his family, fellow artists, professionals in other fields, partrons, and various others. At key points in his career he was also an obsessive observer of himself, creating intense series of self-portraits. This book, with some 200 illustrations, offers the first comprehensive account of Matisse's activity as a maker of portraits and self-portraits." "Matisse scholar John Klein goes beyond standard approaches to portraiture that focus on questions of likeness and expression of character. He considers the transaction that produces a portrait - a transaction between the artist and the sitter (even when the sitter is oneself) that is social as much as artistic. Klein investigates the various social contexts of Matisse's sitters and finds that differences among these contexts produced different kinds of portraits and self-portraits with different goals. This was in part due to the personal and social identity of the sitter, but partly also to Matisse's self-perception with respect to the sitter and his goal of engaging the genre as a mode of personal expression. The author also addresses the question of whether depictions of hired models can be considered as portraits and concludes that they lack the social context that is necessary to portraiture. Through the psychological and contextual examination of Matisse's portraits and self-portraits, Klein throws new light on an important body of work by this influential artist. He discusses also the portrait practice of some of Matisse's contemporaries - Picasso, Derain, Cezanne, and others - to develop fresh insights into the status of portraiture within twentieth-century art as a whole."--Jacket.".
• catalog description "Includes bibliographical references (p. 255-282) and index.".
• catalog description "Introduction. The social agency of portraiture -- The eternal conflict of representation and expression -- Self before other -- Private lives in public spaces -- The image of creativity -- Negotiating identity -- Self-portraiture and self-promotion -- The problem of the model -- Conclusion. Signing off : the end of the portrait.".
• catalog extent "x, 289 p. :".
• catalog identifier "0300081006 (cloth : alk. paper)".
• catalog issued "2001".
• catalog issued "c2001.".
• catalog language "eng".
• catalog publisher "New Haven : Yale University Press,".
• catalog subject "759.4 21".
• catalog subject "Matisse, Henri, 1869-1954 Criticism and interpretation.".
• catalog subject "ND553.M37 K57 2001".
• catalog subject "Portrait painting, French 20th century.".
• catalog tableOfContents "Introduction. The social agency of portraiture -- The eternal conflict of representation and expression -- Self before other -- Private lives in public spaces -- The image of creativity -- Negotiating identity -- Self-portraiture and self-promotion -- The problem of the model -- Conclusion. Signing off : the end of the portrait.".
• catalog title "Matisse portraits / John Klein.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".