Matches in Harvard for { <http://id.lib.harvard.edu/aleph/008803506/catalog> ?p ?o. }
Showing items 1 to 30 of
30
with 100 items per page.
- catalog contributor b12343439.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description "Includes bibliographical references (p. 257-267) and index.".
- catalog description "Renaissance Cultural Realities -- The Making of Italian Renaissance Tragedy -- Revitalization Process -- Realism and Living Realities on the Stage -- Dramaturgical Novelties: Sounds and Dramatic Space -- Renaissance Living Traditions and the Revival of Ancient Tragedy -- Length of the Dramatic Text: Political Imperatives and Verbal Rhetoric -- Contemporary Spatial Setting and Courtly Ambiance -- Brigands and Pirates -- Their Gods, Our God: Christian Religion in the Tragic World of Myth -- Religion in Christian and Mythological Settings -- The Deus ex Machina Expedient: Martelli's Tullia and Aretino's Orazia -- The Nature of Kingship: The Debate on Machiavellism -- The Machiavellian Notion of Kingship and the Tragic Stage -- Giraldi's Orbecche -- Theater as Rhetoric of Power -- Tragic Heroines: The Debate on the Emerging Question of Women -- The Traditional Notion of Womanhood -- The Stage View of Women -- Theater's Ambivalent Endorsement of Women -- Theatrical Innovations -- The Evolving Concept of Stage and Dramatic Space -- The Notion of Scenic and Dramatic Space -- Aretino's Orazia: A Case in Point -- Representing the Unrepresentable: The Hic et Nunc of Tragedy -- Dramatic Limitations of Stage Narrative: The Role of the Messenger -- The Immediacy of the Tragic Here and Now: Giraldi's Orbecche and Aretino's Orazia -- The Theatrical Language of Sounds and Movements -- Dramaturgical Elements in Rucellai's Oreste: Sounds, Retardation Technique, and Movements -- Three Dramatizations of Dido's Death: Pazzi, Giraldi, and Dolce.".
- catalog extent "272 p. :".
- catalog hasFormat "Italian tragedy in the Renaissance.".
- catalog identifier "0838754902 (alk. paper)".
- catalog isFormatOf "Italian tragedy in the Renaissance.".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Lewisburg [Pa.] : Bucknell University Press ; London ; Cranbury, NJ : Associated University Presses,".
- catalog relation "Italian tragedy in the Renaissance.".
- catalog spatial "Italy".
- catalog subject "852/.05120903 21".
- catalog subject "Italian drama (Tragedy) History and criticism.".
- catalog subject "Italian drama To 1700 History and criticism.".
- catalog subject "Narration (Rhetoric) History 16th century.".
- catalog subject "Narration (Rhetoric) History To 1500.".
- catalog subject "PQ4147 .D5 2002".
- catalog subject "Theater Italy History 16th century.".
- catalog subject "Theater Italy History Medieval, 500-1500.".
- catalog tableOfContents "Renaissance Cultural Realities -- The Making of Italian Renaissance Tragedy -- Revitalization Process -- Realism and Living Realities on the Stage -- Dramaturgical Novelties: Sounds and Dramatic Space -- Renaissance Living Traditions and the Revival of Ancient Tragedy -- Length of the Dramatic Text: Political Imperatives and Verbal Rhetoric -- Contemporary Spatial Setting and Courtly Ambiance -- Brigands and Pirates -- Their Gods, Our God: Christian Religion in the Tragic World of Myth -- Religion in Christian and Mythological Settings -- The Deus ex Machina Expedient: Martelli's Tullia and Aretino's Orazia -- The Nature of Kingship: The Debate on Machiavellism -- The Machiavellian Notion of Kingship and the Tragic Stage -- Giraldi's Orbecche -- Theater as Rhetoric of Power -- Tragic Heroines: The Debate on the Emerging Question of Women -- The Traditional Notion of Womanhood -- The Stage View of Women -- Theater's Ambivalent Endorsement of Women -- Theatrical Innovations -- The Evolving Concept of Stage and Dramatic Space -- The Notion of Scenic and Dramatic Space -- Aretino's Orazia: A Case in Point -- Representing the Unrepresentable: The Hic et Nunc of Tragedy -- Dramatic Limitations of Stage Narrative: The Role of the Messenger -- The Immediacy of the Tragic Here and Now: Giraldi's Orbecche and Aretino's Orazia -- The Theatrical Language of Sounds and Movements -- Dramaturgical Elements in Rucellai's Oreste: Sounds, Retardation Technique, and Movements -- Three Dramatizations of Dido's Death: Pazzi, Giraldi, and Dolce.".
- catalog title "The Italian tragedy in the Renaissance : cultural realities and theatrical innovations / Salvatore Di Maria.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "History. fast".
- catalog type "text".