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- catalog abstract ""Lynda K. Bundtzen examines Plath's original typescript for Ariel and compares it with the version that was published by her estranged husband, Ted Hughes. In his role as Plath's literary executor and Ariel's editor, Hughes deleted twelve poems that he considered too "personally aggressive" in their attacks on him, while adding several others composed in the final weeks of Plath's life and colored by her suicidal depression." "Bundtzen argues that Plath's original plan represented a conscious response to her disintegrating marriage - the swearing off of an old life with Hughes and the creation of a new self as a woman and poet. The poems Hughes deleted show her in an angry dialogue over their marital breakup, with Plath writing several of these bitterly ironic poems on the verso of Hughes's manuscript for an unpublished play entitled "The Calm." Beneath the surface of Hughes's "calm" we see a tempest building, created by the woman who chose Shakespeare's Ariel as her poetic identity."--Jacket.".
- catalog contributor b12364699.
- catalog created "c2001.".
- catalog date "2001".
- catalog date "c2001.".
- catalog dateCopyrighted "c2001.".
- catalog description ""Lynda K. Bundtzen examines Plath's original typescript for Ariel and compares it with the version that was published by her estranged husband, Ted Hughes. In his role as Plath's literary executor and Ariel's editor, Hughes deleted twelve poems that he considered too "personally aggressive" in their attacks on him, while adding several others composed in the final weeks of Plath's life and colored by her suicidal depression." "Bundtzen argues that Plath's original plan represented a conscious response to her disintegrating marriage - the swearing off of an old life with Hughes and the creation of a new self as a woman and poet. The poems Hughes deleted show her in an angry dialogue over their marital breakup, with Plath writing several of these bitterly ironic poems on the verso of Hughes's manuscript for an unpublished play entitled "The Calm." Beneath the surface of Hughes's "calm" we see a tempest building, created by the woman who chose Shakespeare's Ariel as her poetic identity."--Jacket.".
- catalog description "A Rare Body -- Private Property -- A Late Winter Miracle -- Mourning Eurydice: Ted Hughes as Orpheus in Birthday Letters.".
- catalog description "Includes bibliographical references (p. 205-210) and index.".
- catalog extent "xvi, 218 p. ;".
- catalog hasFormat "Other Ariel.".
- catalog identifier "1558493190 (alk. paper)".
- catalog isFormatOf "Other Ariel.".
- catalog issued "2001".
- catalog issued "c2001.".
- catalog language "eng".
- catalog publisher "Amherst : University of Massachusetts Press,".
- catalog relation "Other Ariel.".
- catalog subject "811/.54 21".
- catalog subject "Canon (Literature)".
- catalog subject "Hughes, Ted, 1930-1998.".
- catalog subject "Marriage in literature.".
- catalog subject "PS3566.L27 A735 2001".
- catalog subject "Plath, Sylvia. Ariel Criticism, Textual.".
- catalog tableOfContents "A Rare Body -- Private Property -- A Late Winter Miracle -- Mourning Eurydice: Ted Hughes as Orpheus in Birthday Letters.".
- catalog title "The other Ariel / Lynda K. Bundtzen.".
- catalog type "text".