Data Portal @ linkeddatafragments.org

Matches in Harvard for { <http://id.lib.harvard.edu/aleph/008825703/catalog> ?p ?o. }

• catalog abstract ""Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources." "Illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike."--BOOK JACKET.".
• catalog contributor b12378827.
• catalog created "c2001.".
• catalog date "2001".
• catalog date "c2001.".
• catalog dateCopyrighted "c2001.".
• catalog description ""Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tomás Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabordón played a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources." "Illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike."--BOOK JACKET.".
• catalog description "Includes bibliographical references (p. [310]-313) and index.".
• catalog description "The fallacy/illusion/delusion of internal evidence or a case of theft? : the Vidi speciosam à8 in Rome, Biblioteca Casanatense, Ms. 2295 -- A re-evaluation of Victoria's application of the concept of parody/imitation in the Missae ... Liber secundus (Rome, 1592) -- The uses and reuses of music : polyphonic interrelationships or intertextuality in the music of T.L. de Victoria -- Victoria and the fabordón/falsobordone -- Compositional procedure in the passions of Victoria -- Adding to the Victoria canon? -- Victoria's psalm settings : a panorama of the musical styles in use in the late sixteenth century -- An overview of Victoria's life and work.".
• catalog extent "xxiv, 320 p. :".
• catalog hasFormat "Studies in the music of Tomás Luis de Victoria.".
• catalog identifier "0754602419 (alk. paper)".
• catalog isFormatOf "Studies in the music of Tomás Luis de Victoria.".
• catalog issued "2001".
• catalog issued "c2001.".
• catalog language "eng".
• catalog publisher "Aldershot, England ; Burlington, VT : Ashgate,".
• catalog relation "Studies in the music of Tomás Luis de Victoria.".
• catalog spatial "Spain".
• catalog subject "782.2/2/092 21".
• catalog subject "ML410.V63 C73 2001".
• catalog subject "Sacred vocal music Spain 16th century History and criticism.".
• catalog subject "Sacred vocal music Spain 17th century History and criticism.".
• catalog subject "Victoria, Tomás Luis de, approximately 1548-1611 Criticism and interpretation.".
• catalog subject "Victoria, Tomás Luis de, approximately 1548-1611.".
• catalog tableOfContents "The fallacy/illusion/delusion of internal evidence or a case of theft? : the Vidi speciosam à8 in Rome, Biblioteca Casanatense, Ms. 2295 -- A re-evaluation of Victoria's application of the concept of parody/imitation in the Missae ... Liber secundus (Rome, 1592) -- The uses and reuses of music : polyphonic interrelationships or intertextuality in the music of T.L. de Victoria -- Victoria and the fabordón/falsobordone -- Compositional procedure in the passions of Victoria -- Adding to the Victoria canon? -- Victoria's psalm settings : a panorama of the musical styles in use in the late sixteenth century -- An overview of Victoria's life and work.".
• catalog title "Studies in the music of Tomás Luis de Victoria / Eugene Casjen Cramer.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".