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• catalog abstract ""The clamor over new digital technologies has obscured the fact that filmmakers have experimented with computers for several decades. One of the most notable of these is Malcolm Le Grice, a pioneer of "structural film" in the 1970s whose first video and computer works were exhibited in the late 60s." "Le Grice, author in 1974 of Abstract Film and Beyond, has been writing about experimental cinema and digital art since the late 60s. His is one of the most sustained bodies of theoretical work in the area. This collection of his most notable essays sheds light on the work of other artists and filmmakers and documents a period, especially the 70s, when artists' film was at the center of fierce and polemical debate about the nature of the avant-garde and the future of radical or experimental film." "Including a preface by Sean Cubitt, a new overview by the author, and introductory prefaces to each section, this book is a historical account of an artist's thinking over three decades. It also makes a substantial contribution to vital contemporary debates about film, video, art and new technology."--Jacket.".
• catalog contributor b12400945.
• catalog created "2001.".
• catalog date "2001".
• catalog date "2001.".
• catalog dateCopyrighted "2001.".
• catalog description ""The clamor over new digital technologies has obscured the fact that filmmakers have experimented with computers for several decades. One of the most notable of these is Malcolm Le Grice, a pioneer of "structural film" in the 1970s whose first video and computer works were exhibited in the late 60s." "Le Grice, author in 1974 of Abstract Film and Beyond, has been writing about experimental cinema and digital art since the late 60s. His is one of the most sustained bodies of theoretical work in the area. This collection of his most notable essays sheds light on the work of other artists and filmmakers and documents a period, especially the 70s, when artists' film was at the center of fierce and polemical debate about the nature of the avant-garde and the future of radical or experimental film." "Including a preface by Sean Cubitt, a new overview by the author, and introductory prefaces to each section, this book is a historical account of an artist's thinking over three decades. It also makes a substantial contribution to vital contemporary debates about film, video, art and new technology."--Jacket.".
• catalog description "Includes bibliographical references and index.".
• catalog description "The colour of time / Sean Cubitt -- History. Thoughts on recent 'underground film' (1972) ; Presenting avant-garde film in London (1974) ; The history we need (1979) -- On other artists. On Leger, Vertov and the flicker film (1977) ; Kurt Kren (1975) ; Some introductory thoughts on Gidal's films and theory (1979) ; Takahiko Iimura : Getting the measure of time (1998) -- Debates. Stan Brakhage and Malcolm Le Grice debate (1978) ; Letters from Gidal and Le Grice (1978) ; Narrative illusion vs. structural realism / Malcolm Le Grice and P. Adams Sitney (1977) -- General theory. Real time/space (1972) ; Material, materiality, materialism (1978) ; Problematising the spectator's placement in film (1981) ; Towards temporal economy (1980) ; Cinemology (1982) -- Digital theory. Outline for a theory of the development of television (1970) ; Computer film as film art (1974) ; The implication of digital systems for experimental film theory (1994) ; Kismet, protagony and the zap splat factor (1993) ; The Chronos project (1995) ; Colour abstraction, painting, film, digital media (1995) ; Mapping in multi-space : expanded cinema to virtuality (1996) ; A non-linear tradition : experimental film and digital cinema (1997) ; Art in the land of hydra-media (1998) ; Digital cinema and experimental : continuities and discontinuities (1999).".
• catalog extent "xix, 330 p. :".
• catalog hasFormat "Experimental cinema in the digital age.".
• catalog identifier "0851708722".
• catalog identifier "0851708730 (PBK.)".
• catalog isFormatOf "Experimental cinema in the digital age.".
• catalog issued "2001".
• catalog issued "2001.".
• catalog language "eng".
• catalog publisher "London : British Film Institute,".
• catalog relation "Experimental cinema in the digital age.".
• catalog subject "791.4375 21".
• catalog subject "Experimental films History and criticism.".
• catalog subject "PN1995.9.E96 L37 2001".
• catalog tableOfContents "The colour of time / Sean Cubitt -- History. Thoughts on recent 'underground film' (1972) ; Presenting avant-garde film in London (1974) ; The history we need (1979) -- On other artists. On Leger, Vertov and the flicker film (1977) ; Kurt Kren (1975) ; Some introductory thoughts on Gidal's films and theory (1979) ; Takahiko Iimura : Getting the measure of time (1998) -- Debates. Stan Brakhage and Malcolm Le Grice debate (1978) ; Letters from Gidal and Le Grice (1978) ; Narrative illusion vs. structural realism / Malcolm Le Grice and P. Adams Sitney (1977) -- General theory. Real time/space (1972) ; Material, materiality, materialism (1978) ; Problematising the spectator's placement in film (1981) ; Towards temporal economy (1980) ; Cinemology (1982) -- Digital theory. Outline for a theory of the development of television (1970) ; Computer film as film art (1974) ; The implication of digital systems for experimental film theory (1994) ; Kismet, protagony and the zap splat factor (1993) ; The Chronos project (1995) ; Colour abstraction, painting, film, digital media (1995) ; Mapping in multi-space : expanded cinema to virtuality (1996) ; A non-linear tradition : experimental film and digital cinema (1997) ; Art in the land of hydra-media (1998) ; Digital cinema and experimental : continuities and discontinuities (1999).".
• catalog title "Experimental cinema in the digital age / Malcolm Le Grice.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".