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- catalog abstract ""This book considers the way in which British composers took an established Austro-German form as a starting-point. Influences from late romantic music, French impressionism, Russian nationalism, Scriabin, British folk music, African-American music and neo-classicism were all synthesized during this period, but the Austro-German tradition was ultimately to prove inescapable. The book also contains interesting and unique interviews, including one with Sir Michael Tippett, and includes a useful reference section, cataloguing the sonatas, as well as a full discography chronicling the recording history of each sonata, and numerous musical examples."--Jacket.".
- catalog contributor b12429756.
- catalog created "2001.".
- catalog date "2001".
- catalog date "2001.".
- catalog dateCopyrighted "2001.".
- catalog description ""This book considers the way in which British composers took an established Austro-German form as a starting-point. Influences from late romantic music, French impressionism, Russian nationalism, Scriabin, British folk music, African-American music and neo-classicism were all synthesized during this period, but the Austro-German tradition was ultimately to prove inescapable. The book also contains interesting and unique interviews, including one with Sir Michael Tippett, and includes a useful reference section, cataloguing the sonatas, as well as a full discography chronicling the recording history of each sonata, and numerous musical examples."--Jacket.".
- catalog description "Discography: p. 223-228.".
- catalog description "Includes bibliographical references and index.".
- catalog description "Introduction: the English Musical Renaissance -- 1. The Piano Sonatas 1870-1890. William Sterndale Bennett. George Alexander Macfarren. Charles Hubert Hastings Parry. Charles Villiers Stanford. Ethel Smyth. Edward German -- 2. The Piano Sonatas 1890-1910. Algernon Ashton. A comparison between the Royal Academy of Music and the Royal College of Music. John McEwen. William Yeates Hurlstone. Benjamin Dale. York Bowen. Dorothy Howell. Leo Livens. Cyril Scott -- 3. Piano Sonatas by Bax, Ireland, Baines, Bush and Britten. Arnold Bax. John Ireland. William Baines. Alan Bush. Benjamin Britten -- 4. Piano Sonatas by Sorabji and Bridge. Kaikhosru Shapurji Sorabji. Frank Bridge -- 5. The African-American Influence.".
- catalog extent "xix, 252 p. :".
- catalog identifier "0851158226 (alk. paper)".
- catalog issued "2001".
- catalog issued "2001.".
- catalog language "eng".
- catalog publisher "Woodbridge, Suffolk ; Rochester, NY : Boydell Press,".
- catalog spatial "Great Britain".
- catalog subject "786.2/183/0941 21".
- catalog subject "ML745 .H37 2001".
- catalog subject "Music Great Britain 19th century History and criticism.".
- catalog subject "Music Great Britain 20th century History and criticism.".
- catalog subject "Sonatas (Piano) 19th century History and criticism.".
- catalog subject "Sonatas (Piano) 20th century History and criticism.".
- catalog tableOfContents "Introduction: the English Musical Renaissance -- 1. The Piano Sonatas 1870-1890. William Sterndale Bennett. George Alexander Macfarren. Charles Hubert Hastings Parry. Charles Villiers Stanford. Ethel Smyth. Edward German -- 2. The Piano Sonatas 1890-1910. Algernon Ashton. A comparison between the Royal Academy of Music and the Royal College of Music. John McEwen. William Yeates Hurlstone. Benjamin Dale. York Bowen. Dorothy Howell. Leo Livens. Cyril Scott -- 3. Piano Sonatas by Bax, Ireland, Baines, Bush and Britten. Arnold Bax. John Ireland. William Baines. Alan Bush. Benjamin Britten -- 4. Piano Sonatas by Sorabji and Bridge. Kaikhosru Shapurji Sorabji. Frank Bridge -- 5. The African-American Influence.".
- catalog title "The British piano sonata, 1870-1945 / Lisa Hardy.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".