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- catalog abstract "Xiaobin Yang redefines Chinese modernity and postmodernity through his analyses of orthodox and avant-garde works. The author draws on a number of theories to reveal how the avant-garde defies dominant Chinese totalitarian thinking.".
- catalog contributor b12559647.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description "Includes bibliographical references (p. 269-279) and index.".
- catalog description "Introduction: The Absolute and the Problematic in Twentieth-Century Chinese Narrative. 1. Modernity: The Historical Subject and the Representational Subject. 2. The Modern Paradigm Destabilized and Displaced -- pt. I. Trauma, Nachtraglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past. 3. Trauma and Historical Violence in Communist China. 4. Yu Hua: The Past Remembered or the Present Dismembered. 5. Can Xue: Ever-Haunting Nightmares -- pt. II. Irony as Verbal Catachresis: Schizophrenia in the Master Discourse. 6. Irony and an Alternative Reading of Maoist Discourse. 7. Xu Xiaohe: Laughter from Despair. 8. Can Xue: Discursive Dystopias -- pt. III. Irony as Structural Parody: Deconstructing the Grand Narrative. 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model. 10. Ge Fei: Indeterminate History and Memory. 11. Yu Hua: Perplexed Narration and the Subject. 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence -- Postscript: Answering the Question: What Is the Postmodern/Post-Mao-Deng?".
- catalog description "Xiaobin Yang redefines Chinese modernity and postmodernity through his analyses of orthodox and avant-garde works. The author draws on a number of theories to reveal how the avant-garde defies dominant Chinese totalitarian thinking.".
- catalog extent "ix, 286 p. :".
- catalog hasFormat "Chinese postmodern: trauma and irony in Chinese avant-garde fiction.".
- catalog identifier "0472112414 (alk. paper)".
- catalog isFormatOf "Chinese postmodern: trauma and irony in Chinese avant-garde fiction.".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Ann Arbor : University of Michigan Press,".
- catalog relation "Chinese postmodern: trauma and irony in Chinese avant-garde fiction.".
- catalog spatial "China.".
- catalog subject "895.1/3509113 21".
- catalog subject "Chinese fiction 20th century History and criticism.".
- catalog subject "PN98.P67 Y35 2002".
- catalog subject "Postmodernism (Literature) China.".
- catalog tableOfContents "Introduction: The Absolute and the Problematic in Twentieth-Century Chinese Narrative. 1. Modernity: The Historical Subject and the Representational Subject. 2. The Modern Paradigm Destabilized and Displaced -- pt. I. Trauma, Nachtraglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past. 3. Trauma and Historical Violence in Communist China. 4. Yu Hua: The Past Remembered or the Present Dismembered. 5. Can Xue: Ever-Haunting Nightmares -- pt. II. Irony as Verbal Catachresis: Schizophrenia in the Master Discourse. 6. Irony and an Alternative Reading of Maoist Discourse. 7. Xu Xiaohe: Laughter from Despair. 8. Can Xue: Discursive Dystopias -- pt. III. Irony as Structural Parody: Deconstructing the Grand Narrative. 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model. 10. Ge Fei: Indeterminate History and Memory. 11. Yu Hua: Perplexed Narration and the Subject. 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence -- Postscript: Answering the Question: What Is the Postmodern/Post-Mao-Deng?".
- catalog title "The Chinese postmodern : trauma and irony in Chinese avant-garde fiction / Xiaobin Yang.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".