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- catalog abstract ""Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html.".
- catalog contributor b12579650.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description ""Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html.".
- catalog description "Includes bibliographical references (p. 273-307) and index.".
- catalog description "Pt. 1: Hollywood in Berlin, 1933-1939 -- Sounds of silence: Nazi cinema and the quest for a national culture industry -- Incorporating the underground: Curtis Bernhardt's The Tunnel -- Engendering mass culture: Zarah Leander and the economy of desire -- Siegfried rides again: Nazi westerns and modernity -- Pt. 2: Berlin in Hollywood, 1939-1955 -- Wagner at Warner's: German sounds and Hollywood studio visions -- Berlin Noir: Robert Siodmak's Hollywood -- Pianos, priests, and popular culture: Sirk, Lang, and the legacy of American populism -- Isolde resurrected: Curtis Bernhardt's Interrupted Melody.".
- catalog extent "xii, 322 p. :".
- catalog identifier "0520233107 (alk. paper)".
- catalog identifier "0520233115 (pbk. : alk. paper)".
- catalog isPartOf "Weimar and now ; 32".
- catalog isPartOf "Weimar and now ; 32.".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Berkeley : University of California Press,".
- catalog spatial "California Los Angeles.".
- catalog spatial "Germany".
- catalog subject "791.43/0943 21".
- catalog subject "Germans California Los Angeles.".
- catalog subject "Motion picture producers and directors Germany Biography.".
- catalog subject "Motion pictures Germany History.".
- catalog subject "PN1993.5.G3 K645 2002".
- catalog tableOfContents "Pt. 1: Hollywood in Berlin, 1933-1939 -- Sounds of silence: Nazi cinema and the quest for a national culture industry -- Incorporating the underground: Curtis Bernhardt's The Tunnel -- Engendering mass culture: Zarah Leander and the economy of desire -- Siegfried rides again: Nazi westerns and modernity -- Pt. 2: Berlin in Hollywood, 1939-1955 -- Wagner at Warner's: German sounds and Hollywood studio visions -- Berlin Noir: Robert Siodmak's Hollywood -- Pianos, priests, and popular culture: Sirk, Lang, and the legacy of American populism -- Isolde resurrected: Curtis Bernhardt's Interrupted Melody.".
- catalog title "The dark mirror : German cinema between Hitler and Hollywood / Lutz Koepnick.".
- catalog type "Biography. fast".
- catalog type "History. fast".
- catalog type "text".