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• catalog abstract ""This is a reconsideration of the origins of modern painting, sculpture and photography in Europe and North America. In the arenas of art and representation, the nineteenth century was a time of questioning, experimentation, discovery and modernization; artists challenged, as never before, prevailing definitions of art and the social order." "The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--Jacket.".
• catalog contributor b12589829.
• catalog contributor b12589830.
• catalog created "2002.".
• catalog date "2002".
• catalog date "2002.".
• catalog dateCopyrighted "2002.".
• catalog description ""This is a reconsideration of the origins of modern painting, sculpture and photography in Europe and North America. In the arenas of art and representation, the nineteenth century was a time of questioning, experimentation, discovery and modernization; artists challenged, as never before, prevailing definitions of art and the social order." "The revised and expanded edition of Nineteenth Century Art: A Critical History embraces many aspects of the so-called 'new' art history - attention to issues of class and gender, reception and spectatorship, racism and Eurocentrism - while at the same time recovering the remarkable vitality, salience and subversiveness of the era's best art. Indeed, the authors insist that there is a profound sympathy between these new perspectives and the art under examination. For it was nineteenth-century artists who first addressed the issues that preoccupy audiences and scholars today: the relation between popular and elite culture, the legacy of the Enlightenment, the question of the canon, and the representation of workers, women and non-whites."--Jacket.".
• catalog description "Includes bibliographical references (p. 414-417) and index.".
• catalog description "Introduction: Critical art and history -- CLASSICISM AND ROMANTICISM -- Patriotism and virtue: David to the young Ingres ; Classicism in crisis: Gros to Delacroix / Thomas Crow -- Tensions of enlightenment: Goya -- Visionary history painting: Blake and his contemporaries ; Nature historicized: constable, Turner, and romantic landscape painting ; Landscape art and romantic nationalism in Germany and America / Brian Lukacher -- NEW WORLD FRONTIERS -- Old world, new world: the encounter of cultures on the American frontier ; Black and white in America / Francis K. Pohl -- REALISM AND NATURALISM -- Generation of 1830 and the crisis in the public sphere -- Rhetoric of realism: Courbet and the origins of the avant-garde -- Photography, modernity, and art / David Llewellyn -- Decline of history painting: Germany, Italy, and France -- MODERN ART AND LIFE -- Manet and the Impressionists -- Issues of gender in Cassatt and Eakins / Linda Nochlin -- Mass culture and Utopia: Seurat and Neoimpressionism -- Appeal of modern art: Toulouse-Lautrec -- Abstraction and populism: Van Gogh -- Symbolism and the dialectics of retreat -- Failure and success of Cézanne.".
• catalog extent "428 p. :".
• catalog identifier "050023793X (hardcover)".
• catalog identifier "0500283354 (pbk.)".
• catalog issued "2002".
• catalog issued "2002.".
• catalog language "eng".
• catalog publisher "New York, N.Y. : Thames & Hudson,".
• catalog subject "709/.034 21".
• catalog subject "Art, Modern 19th century.".
• catalog subject "N6450 .E39 2002".
• catalog tableOfContents "Introduction: Critical art and history -- CLASSICISM AND ROMANTICISM -- Patriotism and virtue: David to the young Ingres ; Classicism in crisis: Gros to Delacroix / Thomas Crow -- Tensions of enlightenment: Goya -- Visionary history painting: Blake and his contemporaries ; Nature historicized: constable, Turner, and romantic landscape painting ; Landscape art and romantic nationalism in Germany and America / Brian Lukacher -- NEW WORLD FRONTIERS -- Old world, new world: the encounter of cultures on the American frontier ; Black and white in America / Francis K. Pohl -- REALISM AND NATURALISM -- Generation of 1830 and the crisis in the public sphere -- Rhetoric of realism: Courbet and the origins of the avant-garde -- Photography, modernity, and art / David Llewellyn -- Decline of history painting: Germany, Italy, and France -- MODERN ART AND LIFE -- Manet and the Impressionists -- Issues of gender in Cassatt and Eakins / Linda Nochlin -- Mass culture and Utopia: Seurat and Neoimpressionism -- Appeal of modern art: Toulouse-Lautrec -- Abstraction and populism: Van Gogh -- Symbolism and the dialectics of retreat -- Failure and success of Cézanne.".
• catalog title "Nineteenth century art : a critical history / Stephen F. Eisenman ; [with contributions by] Thomas Crow ... [et al.].".
• catalog type "text".