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- catalog abstract ""The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political foment in his native Belgium. It is understood today to be one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, and it rivals any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the painting is one of the most challenging works in the Getty Museum's paintings collection. This book examines Christ's Entry in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings."--Jacket.".
- catalog alternative "Christ's entry into Brussels in 1889".
- catalog contributor b12608920.
- catalog contributor b12608921.
- catalog contributor b12608922.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description ""The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political foment in his native Belgium. It is understood today to be one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, and it rivals any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the painting is one of the most challenging works in the Getty Museum's paintings collection.".
- catalog description "A painting and its paradoxes -- The city, the street, and the urban spectacle -- Ensor and the Belgian art world -- Unholy alliances: the politics of church and state in Leopold's Belgium -- The artist as rebel and redeemer -- "A kaleidoscope gifted with consciousness".".
- catalog description "Includes bibliographical references (p. 111-113).".
- catalog description "This book examines Christ's Entry in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings."--Jacket.".
- catalog extent "114 p. :".
- catalog hasFormat "James Ensor.".
- catalog identifier "0892366419".
- catalog isFormatOf "James Ensor.".
- catalog isPartOf "Getty Museum studies on art".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Los Angeles : J. Paul Getty Museum,".
- catalog relation "James Ensor.".
- catalog subject "759.9493 21".
- catalog subject "Allegories.".
- catalog subject "Ensor, James, 1860-1949 Criticism and interpretation.".
- catalog subject "Ensor, James, 1860-1949. Entry of Christ into Brussels.".
- catalog subject "Jesus Christ Art.".
- catalog subject "ND673.E6 A65 2002".
- catalog tableOfContents "A painting and its paradoxes -- The city, the street, and the urban spectacle -- Ensor and the Belgian art world -- Unholy alliances: the politics of church and state in Leopold's Belgium -- The artist as rebel and redeemer -- "A kaleidoscope gifted with consciousness".".
- catalog title "Christ's entry into Brussels in 1889".
- catalog title "James Ensor : Christ's entry into Brussels in 1889 / Patricia G. Berman.".
- catalog type "Art. fast".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".