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- catalog abstract ""Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But Lawrence Zbikowski argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole. The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.".
- catalog contributor b12659867.
- catalog created "2002.".
- catalog date "2002".
- catalog date "2002.".
- catalog dateCopyrighted "2002.".
- catalog description ""Music theory is often seen as an arcane and somewhat forbidding discipline which stands at a distance from the sweet pleasure and sensuous thrill that is music. Theory, according to this view, is concerned with scales and chords and intervals, or with complicated and highly abstract systems of musical relationships. It is not concerned with how music captivates us. But Lawrence Zbikowski argues that this common view of music theory is wrong. Theorizing about music is something we do every time we try to make sense of our musical experience, and it involves the same cognitive capacities we use to make sense of the world as a whole.".
- catalog description "Includes bibliographical references (p. 335-352) and index.".
- catalog description "Introduction: Conceptualizing Music -- 1. Categorization -- 2. Cross-Domain Mapping -- 3. Conceptual Models and Theories -- 4. Categorization, Compositional Strategy, and Musical Syntax -- 5. Cultural Knowledge and Musical Ontology -- 6. Words, Music, and Song: The Nineteenth-Century Lied -- 7. Competing Models of Music: Theories of Musical Form and Hierarchy -- Conclusion: Cognitive Structure, Theory, and Analysis.".
- catalog description "The play of concepts and conceptual structures typical of music theory is thus not something remote from our appreciation of music, but is instead basic to it."--Jacket.".
- catalog extent "xiv, 360 p. :".
- catalog identifier "0195140230 (acid-free paper)".
- catalog isPartOf "AMS studies in music series".
- catalog isPartOf "AMS studies in music".
- catalog isPartOf "AMS studies in music.".
- catalog issued "2002".
- catalog issued "2002.".
- catalog language "eng".
- catalog publisher "Oxford ; New York : Oxford University Press,".
- catalog subject "781/.11 21".
- catalog subject "Cognition.".
- catalog subject "ML3838 .Z25 2002".
- catalog subject "Musical analysis.".
- catalog subject "Musical perception.".
- catalog tableOfContents "Introduction: Conceptualizing Music -- 1. Categorization -- 2. Cross-Domain Mapping -- 3. Conceptual Models and Theories -- 4. Categorization, Compositional Strategy, and Musical Syntax -- 5. Cultural Knowledge and Musical Ontology -- 6. Words, Music, and Song: The Nineteenth-Century Lied -- 7. Competing Models of Music: Theories of Musical Form and Hierarchy -- Conclusion: Cognitive Structure, Theory, and Analysis.".
- catalog title "Conceptualizing music : cognitive structure, theory, and analysis / Lawrence M. Zbikowski.".
- catalog type "text".