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• catalog abstract "Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the plays first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions.".
• catalog contributor b12666112.
• catalog created "c2002.".
• catalog date "2002".
• catalog date "c2002.".
• catalog dateCopyrighted "c2002.".
• catalog description "Includes bibliographical references (p. 172-195) and index.".
• catalog description "Introducing Emotions -- The Politics of Emotions in Theatre -- Discursive Approaches -- Defining Emotions -- Hope and Despair: Theatrical Emotions, Hysteria and Masculinity -- Self-Dramatisation and Chekhov's Characters -- The Seagull (1896) -- Reverberating Fictions and Love -- The Characterisation of Hysteria -- Uncle Vanya (1897) -- A Crisis of Masculine Identity -- A Gendered Economy of Emotion -- The Social Meaning of Theatrical Emotions -- Loss, Nostalgia and Yearning: Representations of a Feminine Self -- Literary Love -- Three Sisters (1901) -- Representations of Feminine Emotions -- Emotional Spaces -- The Cherry Orchard (1903) -- Emotional Geographies -- Embodied Emotions and Performative Acts -- Femininity as Excess Emotion -- Happy to Sad: Stanislavski's Theatrical Logic Embodied -- Acting Emotions -- Acting Being, Belief and Truth -- Controversy Over the Director's Realist Logic -- Social Bodies Act Inner Emotions? -- Training Repetitions of Bodies -- Laughter and Tears: Interiority as Bodily Control Over Emotions -- Olga Knipper, Stanislavski and Acting Naturally -- Theoretical Mastery Over Interiority -- A Modern Theatre of Private Love -- Staging Natural and Deep -- Performing Emotional Bodies -- Phenomenological Bodies Per/Form -- Brecht's Separation of Emotion -- The Social Performance of Emotion -- Display Rules and Performative Identities -- Emotions and Corporeal Subjectivity -- Transgressive Emotional Performances.".
• catalog description "Peta Tait's central argument is that performing emotions in realism is also performing gender identity. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the plays first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Tait demonstrates how theatrical emotions are predicated on embodied social performances and create cultural spaces of emotions.".
• catalog extent "viii, 199 p. ;".
• catalog hasFormat "Performing emotions.".
• catalog identifier "0754606384".
• catalog isFormatOf "Performing emotions.".
• catalog issued "2002".
• catalog issued "c2002.".
• catalog language "eng".
• catalog publisher "Aldershot ; Burlington, VT : Ashgate,".
• catalog relation "Performing emotions.".
• catalog subject "891.72/3 21".
• catalog subject "Acting.".
• catalog subject "Chekhov, Anton Pavlovich, 1860-1904 Dramatic works.".
• catalog subject "Emotions in literature.".
• catalog subject "Gender identity in literature.".
• catalog subject "PG3458.Z9 D774 2002".
• catalog subject "Stanislavsky, Konstantin, 1863-1938.".
• catalog tableOfContents "Introducing Emotions -- The Politics of Emotions in Theatre -- Discursive Approaches -- Defining Emotions -- Hope and Despair: Theatrical Emotions, Hysteria and Masculinity -- Self-Dramatisation and Chekhov's Characters -- The Seagull (1896) -- Reverberating Fictions and Love -- The Characterisation of Hysteria -- Uncle Vanya (1897) -- A Crisis of Masculine Identity -- A Gendered Economy of Emotion -- The Social Meaning of Theatrical Emotions -- Loss, Nostalgia and Yearning: Representations of a Feminine Self -- Literary Love -- Three Sisters (1901) -- Representations of Feminine Emotions -- Emotional Spaces -- The Cherry Orchard (1903) -- Emotional Geographies -- Embodied Emotions and Performative Acts -- Femininity as Excess Emotion -- Happy to Sad: Stanislavski's Theatrical Logic Embodied -- Acting Emotions -- Acting Being, Belief and Truth -- Controversy Over the Director's Realist Logic -- Social Bodies Act Inner Emotions? -- Training Repetitions of Bodies -- Laughter and Tears: Interiority as Bodily Control Over Emotions -- Olga Knipper, Stanislavski and Acting Naturally -- Theoretical Mastery Over Interiority -- A Modern Theatre of Private Love -- Staging Natural and Deep -- Performing Emotional Bodies -- Phenomenological Bodies Per/Form -- Brecht's Separation of Emotion -- The Social Performance of Emotion -- Display Rules and Performative Identities -- Emotions and Corporeal Subjectivity -- Transgressive Emotional Performances.".
• catalog title "Performing emotions : gender, bodies, spaces, in Chekhov's drama and Stanislavski's theatre / Peta Tait.".
• catalog type "text".