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• catalog abstract "Explores the history of American film noir, focusing on its dreamlike, erotic, ambivalent, and cruel atmosphere, and setting it in the social context of mid-twentieth century America.".
• catalog alternative "Panorama du film noir américain. English".
• catalog contributor b12683921.
• catalog contributor b12683922.
• catalog contributor b12683923.
• catalog contributor b12683924.
• catalog contributor b12683925.
• catalog created "2002.".
• catalog date "2002".
• catalog date "2002.".
• catalog dateCopyrighted "2002.".
• catalog description "8. Influences (Noir's influence on the feature-length social documentary: Crossfire, Thieves' Highway, The Set-Up -- The psychoanalytical series -- Parodies and cartoons -- European film noirs) -- 9. French film noirs -- 10. A balance sheet (The validity of cinema criticism and its methods -- A technical assessment of the noir series -- Eroticism of the thriller -- Moral questions -- The role of violence -- A psychosocial balance sheet -- Net assets and liabilities -- A season in hell).".
• catalog description "A season in Hell or the snows of yesteryear? / James Naremore -- Preface / Marcel Duhamel -- 1. Introduction (The "noir series" -- The series idea -- A preliminary) -- 2. Toward a definition of film noir (The crime adventure story -- Psychological ambiguity -- Moral ambivalence -- The theme of violence -- The strange -- The disapperance of psychological bearings and a specific sense of malaise -- 3. The sources of film noir (Literature -- Psychoanalysis -- The social context and the influence of the war -- European sources -- Gangster and horror films, and the cartoon) -- 4. The war years and the formation of a style (1941-1945) (1941, a pivotal year in Hollywood -- The Maltese Falcon -- The Shanghai Gesture -- This Gun for Hire -- The contributions of Otto Preminger,Billy Wilder, Curtis Bernhardt, and Fritz Lang -- The rallying of academicism -- The "noirified" period film)".
• catalog description "Explores the history of American film noir, focusing on its dreamlike, erotic, ambivalent, and cruel atmosphere, and setting it in the social context of mid-twentieth century America.".
• catalog description "Filmography: pages 165-228.".
• catalog description "Includes bibliographical references and index.".
• catalog description "The glory days (1946-1948) (The end of the war and its consequences -- 1946: Gilda, The Big Sleep, The Lady in the Lake -- 1947: The Lady from Shanghai, Dark Passage -- 1948: Sorry, Wrong Number, Ride the Pink Horse -- Minor productions -- Films about criminal psychology -- Hitchcock's oeuvre -- Police documentaries, and gangster and prison films) -- 6. Decadence and transformation (1948-1950 (Film noir's integration in adjacent series: He Walked by Night, The Enforcer, White Heat -- Three successful Elia Kazan, Jules Dassin, and John Huston films -- A noir version of amour fou: Gun Crazy) -- 7. The demise of a series (1951-1953) (New series: science-fiction, anti-Communist films, and the myth of the "thinking cop" -- Macao and the return of Sternberg -- Stangers on a Train -- The neorealist detective film -- A poetic transposition of the noir series: The Band Wagon)".
• catalog extent "p. cm.".
• catalog hasFormat "Panorama of American film noir, 1941-1953.".
• catalog identifier "087286412X (pbk.)".
• catalog isFormatOf "Panorama of American film noir, 1941-1953.".
• catalog issued "2002".
• catalog issued "2002.".
• catalog language "eng fre".
• catalog language "eng".
• catalog publisher "San Francisco : City Lights Books,".
• catalog relation "Panorama of American film noir, 1941-1953.".
• catalog spatial "United States".
• catalog subject "791.43/655 21".
• catalog subject "Film noir United States History and criticism.".
• catalog subject "PN1995.9.F54 B67 2002".
• catalog tableOfContents "8. Influences (Noir's influence on the feature-length social documentary: Crossfire, Thieves' Highway, The Set-Up -- The psychoanalytical series -- Parodies and cartoons -- European film noirs) -- 9. French film noirs -- 10. A balance sheet (The validity of cinema criticism and its methods -- A technical assessment of the noir series -- Eroticism of the thriller -- Moral questions -- The role of violence -- A psychosocial balance sheet -- Net assets and liabilities -- A season in hell).".
• catalog tableOfContents "A season in Hell or the snows of yesteryear? / James Naremore -- Preface / Marcel Duhamel -- 1. Introduction (The "noir series" -- The series idea -- A preliminary) -- 2. Toward a definition of film noir (The crime adventure story -- Psychological ambiguity -- Moral ambivalence -- The theme of violence -- The strange -- The disapperance of psychological bearings and a specific sense of malaise -- 3. The sources of film noir (Literature -- Psychoanalysis -- The social context and the influence of the war -- European sources -- Gangster and horror films, and the cartoon) -- 4. The war years and the formation of a style (1941-1945) (1941, a pivotal year in Hollywood -- The Maltese Falcon -- The Shanghai Gesture -- This Gun for Hire -- The contributions of Otto Preminger,Billy Wilder, Curtis Bernhardt, and Fritz Lang -- The rallying of academicism -- The "noirified" period film)".
• catalog tableOfContents "The glory days (1946-1948) (The end of the war and its consequences -- 1946: Gilda, The Big Sleep, The Lady in the Lake -- 1947: The Lady from Shanghai, Dark Passage -- 1948: Sorry, Wrong Number, Ride the Pink Horse -- Minor productions -- Films about criminal psychology -- Hitchcock's oeuvre -- Police documentaries, and gangster and prison films) -- 6. Decadence and transformation (1948-1950 (Film noir's integration in adjacent series: He Walked by Night, The Enforcer, White Heat -- Three successful Elia Kazan, Jules Dassin, and John Huston films -- A noir version of amour fou: Gun Crazy) -- 7. The demise of a series (1951-1953) (New series: science-fiction, anti-Communist films, and the myth of the "thinking cop" -- Macao and the return of Sternberg -- Stangers on a Train -- The neorealist detective film -- A poetic transposition of the noir series: The Band Wagon)".
• catalog title "A panorama of American film noir (1941-1953) / by Raymond Borde and Etienne Chaumeton ; translated from the French by Paul Hammond.".
• catalog title "Panorama du film noir américain. English".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".