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• catalog abstract "In this work, Heinz Steinert applies the theory of culture industry to contemporary cultural forms and demonstrates its relevance for the 21st century.".
• catalog alternative "Kulturindustrie. English".
• catalog contributor b12715514.
• catalog created "2003.".
• catalog date "2003".
• catalog date "2003.".
• catalog dateCopyrighted "2003.".
• catalog description "In this work, Heinz Steinert applies the theory of culture industry to contemporary cultural forms and demonstrates its relevance for the 21st century.".
• catalog description "Includes bibliographical references (p. [195]-197) and index.".
• catalog description "Introduction: the pleasures of criticism -- 1. Approaching culture industry: recommended equipment -- Field notes I: Why are you smiling Leonardo? -- Autonomy and mass deception -- a case of Dialectic of Enlightenment -- Field notes II: The President as the bad guy -- Clint Eastwood's Absolute Power -- The structure of the 'Culture Industry' essay -- Field notes III: Heartburn and telephone sex -- 2. On method: look carefully, think thoroughly, and do not let yourself be taken in -- Skoteinos, or how to read Adorno -- Field notes IV: Woody Allen, or the film critics' blindness to irony -- Countertransference and analysing the working alliance -- Field notes V: Talk Radio -- insulting the audience -- 3. The production of cultural commodities -- Problems involved in producing cultural commodities -- Fordist standardization: 'Uniform as a whole and in every part' -- Field notes VI: Exoticism and music -- Working alliances in the cultural history of the twentieth century: bourgeois, modern, avant-garde and reflexive -- Field notes VII: The obsolescence of high culture's critique of society: the case of Carolee Schneemann -- 4. What is wrong with consensual entertainment? -- Amusement -- 'released from every restraint' or the 'prolongation of work'? -- Field notes VIII: Clowns, performers and shows -- the not quite so respectable arts -- Culture as advertising -- advertising as potlatch -- 5. The conditions of belonging: the appropriation of the audience -- 'Ironically, man as a member of a species has been made a reality by the culture industry [monopoly capitalism]' -- Field notes IX: Can we find Hitler funny? -- What can the public want? -- Field notes X: Total control of your life -- 6. Culture industry politics -- Structural populism -- Field notes XI: Why Princess Diana's death was so moving -- 7. Intellectuals in the supermarket: perplexed -- Professional and lay critics of media and society -- Field Notes XII: Woody Allen's Manhattan operettas.".
• catalog extent "viii, 209 p. ;".
• catalog identifier "0745626769 (hbk : alk. paper)".
• catalog identifier "0745626777 (pbk : alk. paper)".
• catalog issued "2003".
• catalog issued "2003.".
• catalog language "eng ger".
• catalog language "eng".
• catalog publisher "Oxford ; Malden, MA : Polity,".
• catalog subject "302.23 21".
• catalog subject "Communication Social aspects.".
• catalog subject "HM1206 .S7413 2003".
• catalog subject "Mass media Social aspects.".
• catalog subject "Popular culture.".
• catalog tableOfContents "Introduction: the pleasures of criticism -- 1. Approaching culture industry: recommended equipment -- Field notes I: Why are you smiling Leonardo? -- Autonomy and mass deception -- a case of Dialectic of Enlightenment -- Field notes II: The President as the bad guy -- Clint Eastwood's Absolute Power -- The structure of the 'Culture Industry' essay -- Field notes III: Heartburn and telephone sex -- 2. On method: look carefully, think thoroughly, and do not let yourself be taken in -- Skoteinos, or how to read Adorno -- Field notes IV: Woody Allen, or the film critics' blindness to irony -- Countertransference and analysing the working alliance -- Field notes V: Talk Radio -- insulting the audience -- 3. The production of cultural commodities -- Problems involved in producing cultural commodities -- Fordist standardization: 'Uniform as a whole and in every part' -- Field notes VI: Exoticism and music -- Working alliances in the cultural history of the twentieth century: bourgeois, modern, avant-garde and reflexive -- Field notes VII: The obsolescence of high culture's critique of society: the case of Carolee Schneemann -- 4. What is wrong with consensual entertainment? -- Amusement -- 'released from every restraint' or the 'prolongation of work'? -- Field notes VIII: Clowns, performers and shows -- the not quite so respectable arts -- Culture as advertising -- advertising as potlatch -- 5. The conditions of belonging: the appropriation of the audience -- 'Ironically, man as a member of a species has been made a reality by the culture industry [monopoly capitalism]' -- Field notes IX: Can we find Hitler funny? -- What can the public want? -- Field notes X: Total control of your life -- 6. Culture industry politics -- Structural populism -- Field notes XI: Why Princess Diana's death was so moving -- 7. Intellectuals in the supermarket: perplexed -- Professional and lay critics of media and society -- Field Notes XII: Woody Allen's Manhattan operettas.".
• catalog title "Culture industry / Heinz Steinert ; translated by Sally-Ann Spencer.".
• catalog title "Kulturindustrie. English".
• catalog type "text".