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- catalog abstract ""Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising."--Jacket.".
- catalog contributor b12734374.
- catalog created "c2003.".
- catalog date "2003".
- catalog date "c2003.".
- catalog dateCopyrighted "c2003.".
- catalog description ""Conceptual art was one of the most influential art movements of the second half of the twentieth century. In this book Alexander Alberro traces its origins to the mid-1960s, when its principles were first articulated by the artists Dan Graham, Joseph Kosuth, Sol LeWitt, Lawrence Weiner, and others. One of Alberro's central arguments is that the conceptual art movement was founded not just by the artists but also by the dealer Seth Siegelaub. Siegelaub promoted the artists, curated groundbreaking shows, organized symposia and publications, and in many ways set the stage for another kind of entrepreneur: the freelance curator. Alberro examines both Siegelaub's role in launching the careers of artists who were making "something from nothing" and his tactful business practices, particularly in marketing and advertising."--Jacket.".
- catalog description "Includes bibliographical references (p. [212]-223) and index.".
- catalog description "The contradictions of conceptual art -- Art, advertising, sign value -- Art as idea -- Primary and secondary information -- Locations, variables, and durations -- The linguistic turn -- Dematerialization -- Artists' rights and product management -- The Xerox degree of art -- The Siegelaub idea.".
- catalog extent "236 p. :".
- catalog identifier "0262011964 (hc. : alk. paper)".
- catalog identifier "9780262011969 (hc : alk. paper)".
- catalog issued "2003".
- catalog issued "c2003.".
- catalog language "eng".
- catalog publisher "Cambridge, Mass. : MIT Press,".
- catalog spatial "United States.".
- catalog subject "709/.73/09045 21".
- catalog subject "Art Marketing.".
- catalog subject "Conceptual art United States.".
- catalog subject "N6512.5.C64 A43 2003".
- catalog tableOfContents "The contradictions of conceptual art -- Art, advertising, sign value -- Art as idea -- Primary and secondary information -- Locations, variables, and durations -- The linguistic turn -- Dematerialization -- Artists' rights and product management -- The Xerox degree of art -- The Siegelaub idea.".
- catalog title "Conceptual art and the politics of publicity / Alexander Alberro.".
- catalog type "text".