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• catalog abstract ""In Poetry and Music in Medieval France Ardis Butterfield examines French vernacular song in the Middle Ages. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is copiously illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture."--Jacket.".
• catalog contributor b12762129.
• catalog created "2002.".
• catalog date "2002".
• catalog date "2002.".
• catalog dateCopyrighted "2002.".
• catalog description ""In Poetry and Music in Medieval France Ardis Butterfield examines French vernacular song in the Middle Ages. She begins with the moment when French song first survives in writing in the early thirteenth century, and examines a large corpus of works which combine elements of narrative and song, as well as a range of genres which cross between different musical and literary categories. Emphasising the cosmopolitan artistic milieu of Arras, Butterfield describes the wide range of contexts in which secular songs were quoted and copied, including narrative romances, satires and love poems. She uses manuscript evidence to shed light on medieval perceptions of how music and poetry were composed and interpreted. The volume is copiously illustrated to demonstrate the rich visual culture of medieval French writing and music. This interdisciplinary study will be of interest to both literary and musical scholars of late medieval culture."--Jacket.".
• catalog description "Includes bibliographical references (p. 339-360) and indexes.".
• catalog description "Text and Performance. Song and written record in the early thirteenth century ; The sources of song: chansonniers, narratives, dance-song ; The performance of song in Jean Renart's Rose -- The Boundaries of Genre. The refrain ; Refrains in context: a case study ; Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing -- The Location of Culture. 'Courtly' and 'popular' in the thirteenth century ; Urban culture: Arras and the puys ; The cultural contexts of Adam de la Halle: Le jeu de Robin et de Marion -- Modes of inscription. Songs in writing: the evidence of the manuscripts ; Chante/fable: Aucassin et Nicolette ; Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 -- Lyric and narrative. The two Roses: Machaut and the thirteenth century ; Rewriting song: chanson, motet, salut, and dit ; Citation and authorship from the thirteenth to the fourteenth century -- Envoy: The new art. The Formes fixes: from Adam de la Halle to Guillaume de Machaut.".
• catalog extent "xx, 375 p. :".
• catalog identifier "0521622190".
• catalog isPartOf "Cambridge studies in medieval literature ; 49".
• catalog issued "2002".
• catalog issued "2002.".
• catalog language "eng".
• catalog publisher "Cambridge ; New York : Cambridge University Press,".
• catalog subject "841.1 21".
• catalog subject "Guillaume, de Machaut, approximately 1300-1377.".
• catalog subject "Jean Renart, active 12th century-13th century.".
• catalog subject "ML3849 .B97 2002".
• catalog subject "Mensural notation.".
• catalog subject "Music and literature History To 1500.".
• catalog subject "Music and literature.".
• catalog subject "Poetry, Medieval History and criticism.".
• catalog subject "Troubadour songs History and criticism.".
• catalog subject "Trouvère songs History and criticism.".
• catalog tableOfContents "Text and Performance. Song and written record in the early thirteenth century ; The sources of song: chansonniers, narratives, dance-song ; The performance of song in Jean Renart's Rose -- The Boundaries of Genre. The refrain ; Refrains in context: a case study ; Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing -- The Location of Culture. 'Courtly' and 'popular' in the thirteenth century ; Urban culture: Arras and the puys ; The cultural contexts of Adam de la Halle: Le jeu de Robin et de Marion -- Modes of inscription. Songs in writing: the evidence of the manuscripts ; Chante/fable: Aucassin et Nicolette ; Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146 -- Lyric and narrative. The two Roses: Machaut and the thirteenth century ; Rewriting song: chanson, motet, salut, and dit ; Citation and authorship from the thirteenth to the fourteenth century -- Envoy: The new art. The Formes fixes: from Adam de la Halle to Guillaume de Machaut.".
• catalog title "Poetry and music in medieval France : from Jean Renart to Guillaume de Machaut / Ardis Butterfield.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "History. fast".
• catalog type "text".