Matches in Harvard for { <http://id.lib.harvard.edu/aleph/009078417/catalog> ?p ?o. }
Showing items 1 to 27 of
27
with 100 items per page.
- catalog abstract ""In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persephone, and Orpheus through his musical sketches and other documents - scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works"--Book jacket.".
- catalog contributor b12779307.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description ""In Multiple Masks, Maureen A. Carr studies Igor Stravinsky's creative process for Oedipus Rex, Apollo, Persephone, and Orpheus through his musical sketches and other documents - scenarios, librettos, correspondence, reviews, and philosophical commentaries, as well as previously uncited sources for Stravinsky's book Poetics of Music. A clear explanation of Stravinsky's compositional techniques within a broad cultural context emerges for each of these four significant works. Carr concludes that Stravinsky used Greek myths as filters for certain poetic ideas and musical techniques that he developed in his earlier works. At the same time the mythological story lines provided him with the objective stance that he was seeking in these neoclassical works"--Book jacket.".
- catalog description "1. Literary, Musical, and Artistic Sources for Stravinsky's Neoclassicism -- 2. Oedipus Rex: The Collaboration between Jean Cocteau and Igor Stravinsky -- 3. Apollo: Stravinsky's Compositional Process -- 4. Persephone: The Collaboration between Andre Gide and Igor Stravinsky -- 5. Orpheus: Stravinsky's Compositional Process -- Conclusion: The Multiplicity and Craftiness of Stravinsky's Masks.".
- catalog description "Includes bibliographical references (p. 353-362) and indexes.".
- catalog extent "xxiv, 368 p. :".
- catalog identifier "0803214766 (cloth : alk. paper)".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Lincoln : University of Nebraska Press,".
- catalog subject "781.5/52/092 21".
- catalog subject "Dramatic music Analysis, appreciation.".
- catalog subject "MT100.S96 C3 2002".
- catalog subject "Mythology, Greek, in music.".
- catalog subject "Neoclassicism (Music)".
- catalog subject "Stravinsky, Igor, 1882-1971. Apollon musagète.".
- catalog subject "Stravinsky, Igor, 1882-1971. Oedipus Rex.".
- catalog subject "Stravinsky, Igor, 1882-1971. Orpheus.".
- catalog subject "Stravinsky, Igor, 1882-1971. Perséphone.".
- catalog tableOfContents "1. Literary, Musical, and Artistic Sources for Stravinsky's Neoclassicism -- 2. Oedipus Rex: The Collaboration between Jean Cocteau and Igor Stravinsky -- 3. Apollo: Stravinsky's Compositional Process -- 4. Persephone: The Collaboration between Andre Gide and Igor Stravinsky -- 5. Orpheus: Stravinsky's Compositional Process -- Conclusion: The Multiplicity and Craftiness of Stravinsky's Masks.".
- catalog title "Multiple masks : neoclassicism in Stravinsky's works on Greek subjects / Maureen A. Carr.".
- catalog type "text".