Matches in Harvard for { <http://id.lib.harvard.edu/aleph/009137611/catalog> ?p ?o. }
Showing items 1 to 23 of
23
with 100 items per page.
- catalog contributor b12873338.
- catalog contributor b12873339.
- catalog contributor b12873340.
- catalog created "c2002.".
- catalog date "2002".
- catalog date "c2002.".
- catalog dateCopyrighted "c2002.".
- catalog description "Introduction: Contextualising Tillers and Evaluating his Contribution -- Pt. 1. Contextualising Tillers -- 1. Post-Object Art of the 1960s and Early 1970s -- 2. Photo-Conceptualist Art of the 1970s -- 3. Deconstructive Appropriationism -- 4. The Critical Reception of Tillers' Work 1971-2001 -- Pt. 2. Tillers' Post-Object Period -- 5. 'The Beginners' Guide to Oil Painting' and Creation without a Creator -- 6. Minimalism en abyme: Moments of Inertia, 1972-73 -- Pt. 3. Tillers' Photo Conceptual Period -- 7. A Poetics of Specularity: Conversations with the Bride, 1974-75 -- 8. From Photo-Conceptualism to Appropriationism: Untitled, 1978 -- Pt. 4. Tillers' Canvasboard System -- 9. Transition: One Painting, Cleaving and Tillers' Poetics of Invisibility -- 10. 'Invisible' Authors: Phase One of the Canvasboard System, 1983-91 -- 11. Phases Two and Three: The Diaspora Trilogy and the Cooma Works -- Conclusion: Appropriation in an Expanded Field -- App. A. 'The Beginner's Guide to Oil Painting' by Imants Alfred Tillers.".
- catalog extent "224, 34, 7 p. :".
- catalog identifier "1874011494".
- catalog issued "2002".
- catalog issued "c2002.".
- catalog language "eng".
- catalog publisher "Southampton : Fine Art Research Centre, Southampton Institute : Paul Hoberton Pub.,".
- catalog spatial "Australia.".
- catalog subject "759.994 21".
- catalog subject "Art, Modern Australia.".
- catalog subject "N7405.T55 C68 2002".
- catalog subject "Postmodernism Australia.".
- catalog subject "Tillers, Imants Criticism and interpretation.".
- catalog tableOfContents "Introduction: Contextualising Tillers and Evaluating his Contribution -- Pt. 1. Contextualising Tillers -- 1. Post-Object Art of the 1960s and Early 1970s -- 2. Photo-Conceptualist Art of the 1970s -- 3. Deconstructive Appropriationism -- 4. The Critical Reception of Tillers' Work 1971-2001 -- Pt. 2. Tillers' Post-Object Period -- 5. 'The Beginners' Guide to Oil Painting' and Creation without a Creator -- 6. Minimalism en abyme: Moments of Inertia, 1972-73 -- Pt. 3. Tillers' Photo Conceptual Period -- 7. A Poetics of Specularity: Conversations with the Bride, 1974-75 -- 8. From Photo-Conceptualism to Appropriationism: Untitled, 1978 -- Pt. 4. Tillers' Canvasboard System -- 9. Transition: One Painting, Cleaving and Tillers' Poetics of Invisibility -- 10. 'Invisible' Authors: Phase One of the Canvasboard System, 1983-91 -- 11. Phases Two and Three: The Diaspora Trilogy and the Cooma Works -- Conclusion: Appropriation in an Expanded Field -- App. A. 'The Beginner's Guide to Oil Painting' by Imants Alfred Tillers.".
- catalog title "The postmodern art of Imants Tillers : appropriation en abyme, 1971-2001 / Graham Coulter-Smith.".
- catalog type "text".