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- catalog abstract "This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity".
- catalog contributor b12909077.
- catalog coverage "China Civilization 1976-".
- catalog coverage "China Civilization 1976-2002.".
- catalog created "c2003.".
- catalog date "2003".
- catalog date "c2003.".
- catalog dateCopyrighted "c2003.".
- catalog description "1. China Diversified: An Overview of Popular Music in the Reform Era, 1978-1997 -- 2. Negotiation of Minority/Majority Identities and Representation in Popular Music Culture -- 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality -- 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity.".
- catalog description "Includes bibliographical references (p. 291-309) and index.".
- catalog description "This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there. Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music. keywords: Ethnicity".
- catalog extent "xiv, 332 p. :".
- catalog hasFormat "China's new voices.".
- catalog identifier "0520234499 (cloth : alk. paper)".
- catalog identifier "0520234502 (paper : alk. paper)".
- catalog identifier "9781417508099 (electronic bk.)".
- catalog isFormatOf "China's new voices.".
- catalog issued "2003".
- catalog issued "c2003.".
- catalog language "eng".
- catalog publisher "Berkeley : University of California Press,".
- catalog relation "China's new voices.".
- catalog spatial "China Civilization 1976-".
- catalog spatial "China Civilization 1976-2002.".
- catalog spatial "China.".
- catalog subject "ML3918.P67 B36 2003".
- catalog subject "Popular music Political aspects China.".
- catalog subject "Popular music Social aspects China.".
- catalog tableOfContents "1. China Diversified: An Overview of Popular Music in the Reform Era, 1978-1997 -- 2. Negotiation of Minority/Majority Identities and Representation in Popular Music Culture -- 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality -- 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity.".
- catalog title "China's new voices : popular music, ethnicity, gender, and politics, 1978-1997 / Nimrod Baranovitch.".
- catalog type "text".