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• catalog abstract ""Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators perceive, think, apply knowledge, infer, interpret, feel, and make use of knowledge, assumptions, expectations, and prejudices when viewing and making sense of film. Drawing on the methods of psychology and anthropology, he explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. This study integrates psychological and culturalist approaches to meaning and reception in new ways, anchoring the discussion in concrete examples from early and contemporary cinema Understanding Cinema also examines the design of cinema conventions and their stylistic transformations through the evolution of film."--Jacket.".
• catalog contributor b12959118.
• catalog created "2003.".
• catalog date "2003".
• catalog date "2003.".
• catalog dateCopyrighted "2003.".
• catalog description ""Understanding Cinema analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators perceive, think, apply knowledge, infer, interpret, feel, and make use of knowledge, assumptions, expectations, and prejudices when viewing and making sense of film. Drawing on the methods of psychology and anthropology, he explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator.".
• catalog description "1. Understanding and dispositions -- Psychology: understanding and dispositions -- Parameters of dispositions -- The psychological model of reception -- Discourse and meaning -- Some specifications of the model -- 2. Understanding point-of-view editing -- Historical context of point-of-view editing -- Spatial immersion begins -- Editing between adhacent places: movement -- Editing between adjacent places: gazing -- Functions of point-of-view editing -- Deictic gaze -- The structure deictic-gaze bahavior -- How does point-of-view editing work? -- Explaining the presence of the point-of-view convention in mainstream cinema -- 3. Variable framing and personal space -- Personal space -- Visual media and personal space -- Personal space and variable framing -- Early cinema -- Variable framing in mainstream narrative cinema -- Voyeurism -- 4. Character psychology and mental attribution -- Textual theories of characters -- Reception-based theories of characters -- The psychology of recognition and alignment -- Why Mental States? -- "Subjective Access" versus "Mental Attribution" -- Mental attribution in everyday life -- Mental attribution processes in reception of cinema -- The emotions of cinematic characters -- Text and mental attribution -- The narrativization and psychologization of early cinema psychology as complement?".
• catalog description "Includes bibliographical references (p. 261-275) and index.".
• catalog description "This study integrates psychological and culturalist approaches to meaning and reception in new ways, anchoring the discussion in concrete examples from early and contemporary cinema Understanding Cinema also examines the design of cinema conventions and their stylistic transformations through the evolution of film."--Jacket.".
• catalog extent "xi, 281 p. :".
• catalog identifier "052181328X (hardback)".
• catalog issued "2003".
• catalog issued "2003.".
• catalog language "eng".
• catalog publisher "Cambridge, UK ; New York : Cambridge University Press,".
• catalog subject "791.43/01/9 21".
• catalog subject "Motion pictures Psychological aspects.".
• catalog subject "PN1995 .P44 2003".
• catalog tableOfContents "1. Understanding and dispositions -- Psychology: understanding and dispositions -- Parameters of dispositions -- The psychological model of reception -- Discourse and meaning -- Some specifications of the model -- 2. Understanding point-of-view editing -- Historical context of point-of-view editing -- Spatial immersion begins -- Editing between adhacent places: movement -- Editing between adjacent places: gazing -- Functions of point-of-view editing -- Deictic gaze -- The structure deictic-gaze bahavior -- How does point-of-view editing work? -- Explaining the presence of the point-of-view convention in mainstream cinema -- 3. Variable framing and personal space -- Personal space -- Visual media and personal space -- Personal space and variable framing -- Early cinema -- Variable framing in mainstream narrative cinema -- Voyeurism -- 4. Character psychology and mental attribution -- Textual theories of characters -- Reception-based theories of characters -- The psychology of recognition and alignment -- Why Mental States? -- "Subjective Access" versus "Mental Attribution" -- Mental attribution in everyday life -- Mental attribution processes in reception of cinema -- The emotions of cinematic characters -- Text and mental attribution -- The narrativization and psychologization of early cinema psychology as complement?".
• catalog title "Understanding cinema : a psychological theory of moving imagery / Per Persson.".
• catalog type "text".