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• catalog abstract ""This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the interpretive framework of American cultural studies. Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre-World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Americo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s. The contributors are Anthony Dawahare, Barbara Foley, Marcial Gonzalez, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. OlguÆn, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington." http://www.loc.gov/catdir/description/unc041/2003005015.html.".
• catalog contributor b12984143.
• catalog contributor b12984144.
• catalog coverage "United States Race relations History 20th century.".
• catalog created "c2003.".
• catalog date "2003".
• catalog date "c2003.".
• catalog dateCopyrighted "c2003.".
• catalog description ""This collection of fifteen new essays explores the impact of the organized Left and Leftist theory on American literature and culture from the 1920s to the present. In particular, the contributors explore the participation of writers and intellectuals on the Left in the development of African American, Chicano/Chicana, and Asian American literature and culture. By placing the Left at the center of their examination, the authors reposition the interpretive framework of American cultural studies. Tracing the development of the Left over the course of the last century, the essays connect the Old Left of the pre-World War II era to the New Left and Third World nationalist Left of the 1960s and 1970s, as well as to the multicultural Left that has emerged since the 1970s. Individual essays explore the Left in relation to the work of such key figures as Ralph Ellison, T. S. Eliot, Chester Himes, Harry Belafonte, Americo Paredes, and Alice Childress. The collection also reconsiders the role of the Left in such critical cultural and historical moments as the Harlem Renaissance, the Cold War, and the Black Arts Movement of the 1960s and 1970s. The contributors are Anthony Dawahare, Barbara Foley, Marcial Gonzalez, Fred Ho, William J. Maxwell, Bill V. Mullen, Cary Nelson, B. V. OlguÆn, Rachel Rubin, Eric Schocket, James Smethurst, Michelle Stephens, Alan Wald, and Mary Helen Washington." http://www.loc.gov/catdir/description/unc041/2003005015.html.".
• catalog description "Includes bibliographical references and index.".
• catalog description "Introduction / Bill V. Mullen, James Smethurst -- Modernism and the aesthetics of management, or T.S. Eliot's labor literature / Eric Schocket -- F.B. Eyes: the bureau reads Claude McKay / William J. Maxwell -- Specter of radicalism in Alain Locke's The new negro / Anthony Dawahare -- W.E.B. Du Bois, Dark princess, and the Afro-Asian international / Bill V. Mullen -- Barrios of the world unite!: regionalism, transnationalism, and internationalism in Tejano war poetry from the Mexican Revolution to World War II / B.V. Olguín -- Narrating nationalisms: black Marxism and Jewish communists through the eyes of Harold Cruse / Alan Wald -- From communism to brotherhood: the drafts of Invisible man / Barbara Foley -- Alice Childress, Lorraine Hansberry, and Claudia Jones: black women write the popular front / Mary Helen Washington -- Voice of the cracker: Don West reinvents the Appalachian / Rachel Rubin -- First negro matinee idol: Harry Belafonte and American culture in the 1950s / Michelle Stephens -- Bamboo that snaps back!: resistance and revolution in Asian Pacific American working-class and left-wing expressive culture / Fred Ho -- Poetry and sympathy: New York, the Left, and the rise of black arts / James Smethurst -- Marxist critique of borderlands postmodernism: Adorno's Negative dialectics and Chicano cultural criticism / Marcial González -- Letters the presidents did not release: radical scholarship and the legacy of the American volunteers in Spain / Cary Nelson.".
• catalog extent "331 p. :".
• catalog hasFormat "Left of the color line.".
• catalog identifier "0807827991 (alk. paper)".
• catalog identifier "0807854778 (pbk. : alk. paper)".
• catalog isFormatOf "Left of the color line.".
• catalog isPartOf "The John Hope Franklin series in African American history and culture".
• catalog issued "2003".
• catalog issued "c2003.".
• catalog language "eng".
• catalog publisher "Chapel Hill : University of North Carolina Press,".
• catalog relation "Left of the color line.".
• catalog spatial "United States Race relations History 20th century.".
• catalog spatial "United States".
• catalog subject "810.9/358 21".
• catalog subject "African Americans in literature.".
• catalog subject "American literature 20th century History and criticism.".
• catalog subject "Minorities in literature.".
• catalog subject "PS228.R32 L44 2003".
• catalog subject "Politics and literature United States History 20th century.".
• catalog subject "Race in literature.".
• catalog subject "Race relations United States History 20th century.".
• catalog subject "Race relations in literature.".
• catalog subject "Radicalism United States History 20th century.".
• catalog subject "Radicalism in literature.".
• catalog subject "Right and left (Political science) in literature.".
• catalog tableOfContents "Introduction / Bill V. Mullen, James Smethurst -- Modernism and the aesthetics of management, or T.S. Eliot's labor literature / Eric Schocket -- F.B. Eyes: the bureau reads Claude McKay / William J. Maxwell -- Specter of radicalism in Alain Locke's The new negro / Anthony Dawahare -- W.E.B. Du Bois, Dark princess, and the Afro-Asian international / Bill V. Mullen -- Barrios of the world unite!: regionalism, transnationalism, and internationalism in Tejano war poetry from the Mexican Revolution to World War II / B.V. Olguín -- Narrating nationalisms: black Marxism and Jewish communists through the eyes of Harold Cruse / Alan Wald -- From communism to brotherhood: the drafts of Invisible man / Barbara Foley -- Alice Childress, Lorraine Hansberry, and Claudia Jones: black women write the popular front / Mary Helen Washington -- Voice of the cracker: Don West reinvents the Appalachian / Rachel Rubin -- First negro matinee idol: Harry Belafonte and American culture in the 1950s / Michelle Stephens -- Bamboo that snaps back!: resistance and revolution in Asian Pacific American working-class and left-wing expressive culture / Fred Ho -- Poetry and sympathy: New York, the Left, and the rise of black arts / James Smethurst -- Marxist critique of borderlands postmodernism: Adorno's Negative dialectics and Chicano cultural criticism / Marcial González -- Letters the presidents did not release: radical scholarship and the legacy of the American volunteers in Spain / Cary Nelson.".
• catalog title "Left of the color line : race, radicalism, and twentieth-century literature of the United States / edited by Bill V. Mullen and James Smethurst.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "History. fast".
• catalog type "text".