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- catalog abstract ""When Bela Bartok died in September of 1945, he left a partially completed viola concerto commissioned by the virtuoso violist William Primrose. Yet, while no definitive version of the work exists, this concerto has become arguably the most-performed viola concerto in the world. The story of how the concerto came to be, from its commissioning by Primrose to its first performance to the several completions that are performed today is told here in Bartok's Viola Concerto: The Remarkable Story of His Swansong."--Jacket.".
- catalog contributor b13123054.
- catalog created "2004.".
- catalog date "2004".
- catalog date "2004.".
- catalog dateCopyrighted "2004.".
- catalog description ""When Bela Bartok died in September of 1945, he left a partially completed viola concerto commissioned by the virtuoso violist William Primrose. Yet, while no definitive version of the work exists, this concerto has become arguably the most-performed viola concerto in the world. The story of how the concerto came to be, from its commissioning by Primrose to its first performance to the several completions that are performed today is told here in Bartok's Viola Concerto: The Remarkable Story of His Swansong."--Jacket.".
- catalog description "Genesis : circumstances, commission, composition, influences, and the manuscript -- The reconstruction : a critical examination of the work of Tibor Serly -- Première and publication : an account of the events of 1945-49 that led up to the first performance -- Reception : reaction to the first fifty years of the Bartók/Serly viola concerto -- Some aspects of structure : examination of form and possible presence of the Fibonacci series -- Revisions : the revisions of Atar Arad, Csaba Erdélyi, Peter Bartók, and Donald Maurice -- Authenticity : future attempts to achieve a more authentic Bartók viola concerto -- Compositional interpretation : focus on structure, melody, pitch organization, rhythm, and orchestration and texture -- Performance interpretation : focus on tempi, dynamics, phrasing, and articulation in the solo viola part -- The future and legal issues : Bartók's will and estate and matters of copyright.".
- catalog description "Includes bibliographical references (p. [213]-217) and index.".
- catalog extent "xii, 222 p. :".
- catalog identifier "0195156900 (cloth : alk. paper)".
- catalog isPartOf "Studies in musical genesis and structure".
- catalog issued "2004".
- catalog issued "2004.".
- catalog language "eng".
- catalog publisher "New York : Oxford University Press,".
- catalog subject "Bartók, Béla, 1881-1945. Concertos, viola, orchestra.".
- catalog subject "MT130.B34 M28 2004".
- catalog tableOfContents "Genesis : circumstances, commission, composition, influences, and the manuscript -- The reconstruction : a critical examination of the work of Tibor Serly -- Première and publication : an account of the events of 1945-49 that led up to the first performance -- Reception : reaction to the first fifty years of the Bartók/Serly viola concerto -- Some aspects of structure : examination of form and possible presence of the Fibonacci series -- Revisions : the revisions of Atar Arad, Csaba Erdélyi, Peter Bartók, and Donald Maurice -- Authenticity : future attempts to achieve a more authentic Bartók viola concerto -- Compositional interpretation : focus on structure, melody, pitch organization, rhythm, and orchestration and texture -- Performance interpretation : focus on tempi, dynamics, phrasing, and articulation in the solo viola part -- The future and legal issues : Bartók's will and estate and matters of copyright.".
- catalog title "Bartók's viola concerto : the remarkable story of his Swansong / Donald Maurice.".
- catalog type "text".