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- catalog abstract ""Beginning as a critic and painter, Donald Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like." "The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist."--Jacket.".
- catalog contributor b13172793.
- catalog contributor b13172794.
- catalog contributor b13172795.
- catalog contributor b13172796.
- catalog contributor b13172797.
- catalog created "c2004.".
- catalog date "2004".
- catalog date "c2004.".
- catalog dateCopyrighted "c2004.".
- catalog description ""Beginning as a critic and painter, Donald Judd moved into three dimensions in the early 1960s, with box-like structures arranged on the gallery floor or mounted on the wall. Initially constructed by hand, his sculptures were later industrially manufactured in such materials as galvanised iron, steel, Plexiglas and plywood. His use of brightly hued lacquers, vibrant colours and polished metals ran counter to the public's understanding of what 'minimalist' sculpture should look like." "The authors explore the conflicts between previous critical interpretations of Judd and his own philosophical, political and moral understanding of his work. They also examine the importance of colour and new man-made materials in Judd's work. The inclusion of a section on Judd's own permanent installations at the remote town of Marfa, Texas, a full chronology and a major essay by the artist on his own use of colour, completes a comprehensive survey of this compelling artist."--Jacket.".
- catalog description "Donald Judd (Artist at work) -- Donald Judd, safe from birds -- Everything as colour -- Judd's moral art -- Donald Judd: a sense of place -- 101 Spring Street, New York, and Marfa, Texas -- Some aspects of color in general and red and black in particular -- Catalogue -- Chronology.".
- catalog description "Includes bibliographical references (p. 272-273) and index.".
- catalog extent "284 p. :".
- catalog hasFormat "Donald Judd.".
- catalog identifier "1891024892".
- catalog isFormatOf "Donald Judd.".
- catalog issued "2004".
- catalog issued "c2004.".
- catalog language "eng".
- catalog publisher "New York, N.Y. : Published in North America by D.A.P./Distributed Art Publishers,".
- catalog relation "Donald Judd.".
- catalog subject "Judd, Donald, 1928-1994 Exhibitions.".
- catalog subject "NB237.J76 A4 2004".
- catalog tableOfContents "Donald Judd (Artist at work) -- Donald Judd, safe from birds -- Everything as colour -- Judd's moral art -- Donald Judd: a sense of place -- 101 Spring Street, New York, and Marfa, Texas -- Some aspects of color in general and red and black in particular -- Catalogue -- Chronology.".
- catalog title "Donald Judd / edited by Nicholas Serota.".
- catalog type "Exhibition catalogs. fast".
- catalog type "text".