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- catalog abstract ""Through individual case studies involving the professions of sculptor, painter, potter, printmaker, and architect, this book addresses the question about what it meant to be an artist in Japan from the seventh century to the twentieth." "Some of the essays in this volume reveal how the machine of political discourse worked to invent different views of the same artist over time. Others explore cases of later artists manipulating the names of earlier ones for professional or cultural gain, while still other essays reconstruct some of the forces brought to bear on artistic reception by the makers' contemporaries." "The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background."--Jacket.".
- catalog contributor b13177426.
- catalog created "2004.".
- catalog date "2004".
- catalog date "2004.".
- catalog dateCopyrighted "2004.".
- catalog description ""The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background."--Jacket.".
- catalog description ""Through individual case studies involving the professions of sculptor, painter, potter, printmaker, and architect, this book addresses the question about what it meant to be an artist in Japan from the seventh century to the twentieth." "Some of the essays in this volume reveal how the machine of political discourse worked to invent different views of the same artist over time. Others explore cases of later artists manipulating the names of earlier ones for professional or cultural gain, while still other essays reconstruct some of the forces brought to bear on artistic reception by the makers' contemporaries."".
- catalog description "Includes bibliographical references (p. 247-251) and index.".
- catalog description "Introduction / Melinda Takeuchi -- Tori-busshi and the production of Buddhist icons in Asuka-period Japan / Donald F. McCallum -- E'nichibō Jōnin, the saint's companion / Karen L. Brock -- Signed, sealed, and delivered: Tosa Mitsunobu (1434-ca. 1523) and the afterlife of a name / Melinda Takeuchi -- A Tosa potter in Edo / Louise Allison Cort -- Artistic identity and Ukiyo-e prints: the representation of Kitagawa Utamaro to the Edo public / Julie Nelson Davis -- Takamura Kōun and Takamura Kōtarō: on being a sculptor / Christine M.E. Guth -- The formation of a Japanese architectural profession / Jonathan M. Reynolds.".
- catalog extent "xvi, 262 p. :".
- catalog identifier "080474355X (cloth : alk. paper)".
- catalog issued "2004".
- catalog issued "2004.".
- catalog language "eng".
- catalog publisher "Stanford, Calif. : Stanford University Press,".
- catalog spatial "Japan".
- catalog subject "709/.2/252 22".
- catalog subject "Art, Japanese.".
- catalog subject "Artists Japan Economic conditions.".
- catalog subject "Artists Japan Social conditions.".
- catalog subject "N7353 .A75 2004".
- catalog tableOfContents "Introduction / Melinda Takeuchi -- Tori-busshi and the production of Buddhist icons in Asuka-period Japan / Donald F. McCallum -- E'nichibō Jōnin, the saint's companion / Karen L. Brock -- Signed, sealed, and delivered: Tosa Mitsunobu (1434-ca. 1523) and the afterlife of a name / Melinda Takeuchi -- A Tosa potter in Edo / Louise Allison Cort -- Artistic identity and Ukiyo-e prints: the representation of Kitagawa Utamaro to the Edo public / Julie Nelson Davis -- Takamura Kōun and Takamura Kōtarō: on being a sculptor / Christine M.E. Guth -- The formation of a Japanese architectural profession / Jonathan M. Reynolds.".
- catalog title "The artist as professional in Japan / edited by Melinda Takeuchi.".
- catalog type "text".