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• catalog abstract ""These prints both reflected and sought to shape contemporary debate about the role of women in society. While attitudes varied considerably, the general consensus was that women were more visible in society than ever before - on the streets, on the stage, on the walls of the Royal Academy, on the hustings, and in the pleasure gardens. The satirical prints of the period reveal perceptions of women and their behaviour as prostitutes and courtesans, wives and mothers, old maids and widows. Cindy McCreery's detailed exploration of this relatively neglected genre extends our knowledge of contemporary attitudes towards women and offers an important new dimension to our understanding of Georgian culture."--Jacket.".
• catalog alternative "Prints of women in late eighteenth-century England".
• catalog contributor b13178494.
• catalog created "2004.".
• catalog date "2004".
• catalog date "2004.".
• catalog dateCopyrighted "2004.".
• catalog description ""These prints both reflected and sought to shape contemporary debate about the role of women in society. While attitudes varied considerably, the general consensus was that women were more visible in society than ever before - on the streets, on the stage, on the walls of the Royal Academy, on the hustings, and in the pleasure gardens. The satirical prints of the period reveal perceptions of women and their behaviour as prostitutes and courtesans, wives and mothers, old maids and widows. Cindy McCreery's detailed exploration of this relatively neglected genre extends our knowledge of contemporary attitudes towards women and offers an important new dimension to our understanding of Georgian culture."--Jacket.".
• catalog description "1. Satirical Prints of Women and the London Art Market -- 2. Women in the Street: Prostitutes and Market Vendors -- 3. Women on the Stage: Courtesans and Scandalous Actresses -- 4. Women in Male Roles: Literary Ladies and Masculine Politicians -- 5. Women at Home and Abroad I: Aristocratic Adulteresses and Patriotic Wives -- 6. Women at Home and Abroad II: Fashionable Mammas and Natural Mothers -- 7. Women over 35: Old Maids, Merry Widows, and Cosy Wives.".
• catalog description "Includes bibliographical references (p. [256]-272) and index.".
• catalog extent "xvii, 281 p. :".
• catalog identifier "0199267561 (hb : alk. paper)".
• catalog isPartOf "Oxford historical monographs".
• catalog issued "2004".
• catalog issued "2004.".
• catalog language "eng".
• catalog publisher "Oxford [England] : Clarendon Press ; New York : Oxford University Press,".
• catalog spatial "England".
• catalog subject "769.4/24/094209033 22".
• catalog subject "Aristocracy (Social class) in art.".
• catalog subject "English wit and humor, Pictorial.".
• catalog subject "Engraving, English 18th century.".
• catalog subject "NE962.W65 M4 2004".
• catalog subject "Women England Social conditions 18th century Pictorial works.".
• catalog subject "Women England Social conditions 18th century.".
• catalog subject "Women in art.".
• catalog tableOfContents "1. Satirical Prints of Women and the London Art Market -- 2. Women in the Street: Prostitutes and Market Vendors -- 3. Women on the Stage: Courtesans and Scandalous Actresses -- 4. Women in Male Roles: Literary Ladies and Masculine Politicians -- 5. Women at Home and Abroad I: Aristocratic Adulteresses and Patriotic Wives -- 6. Women at Home and Abroad II: Fashionable Mammas and Natural Mothers -- 7. Women over 35: Old Maids, Merry Widows, and Cosy Wives.".
• catalog title "Prints of women in late eighteenth-century England".
• catalog title "The satirical gaze : prints of women in late eighteenth-century England / Cindy McCreery.".
• catalog type "text".