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• catalog abstract "Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and -- more than any other subject -- music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought. -- Publisher description.".
• catalog contributor b13207313.
• catalog contributor b13207314.
• catalog contributor b13207315.
• catalog contributor b13207316.
• catalog created "c2002.".
• catalog date "2002".
• catalog date "c2002.".
• catalog dateCopyrighted "c2002.".
• catalog description "Includes bibliographical references (p. 681-708) and index.".
• catalog description "Locating music, society, modernity, and the new. Commentary / (by Richard Leppert) ; Music, language, and composition (1956) ; Why is the new art so hard to understand? (1931) ; On the contemporary relationship of philosophy and music (1953) ; On the problem of musical analysis (1969) ; The aging of the new music (1955) ; The dialectical composer (1934) -- Culture, technology, and listening. Commentary / (by Richard Leppert) ; The radio symphony (1941) ; The curves of the needle (1927/1965) ; The form of the phonograph record (1934) ; Opera and the long-playing record (1969) ; On the fetish-character in music and the regression of listening (1938) ; Little heresy (1965) -- Music and mass culture. Commentary / (by Richard Leppert) ; What national socialism has done to the arts (1945) ; On the social situation of music (1932) ; On popular music [with the assistance of George Simpson] (1941) ; On jazz (1936) ; Farewell to jazz (1933) ; Kitsch (c. 1932) ; Music in the background (c. 1934) -- Composition, composers, and works. Commentary / (by Richard Leppert) ; Late style in Beethoven (1937) ; Alienated masterpiece: The missa solemnis (1959) ; Wagner's relevance for today (1963) ; Mahler today (1930) ; Marginalia on Mahler (1936) ; The opera Wozzeck (1929) ; Toward and understanding of Schoenberg (1955/1967) ; Difficulties (1964, 1966).".
• catalog description "Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and -- more than any other subject -- music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought. -- Publisher description.".
• catalog extent "xvii, 743 p. ;".
• catalog identifier "0520226720 (alk. paper)".
• catalog identifier "0520231597 (pbk. alk. paper)".
• catalog issued "2002".
• catalog issued "c2002.".
• catalog language "eng ger".
• catalog language "eng".
• catalog publisher "Berkeley, Calif. : University of California Press,".
• catalog subject "780 21".
• catalog subject "Adorno, Theodor W., 1903-1969 Criticism and interpretation.".
• catalog subject "Adorno, Theodor W., 1903-1969.".
• catalog subject "ML423.A33 A63 2002".
• catalog subject "Music Philosophy and aesthetics.".
• catalog tableOfContents "Locating music, society, modernity, and the new. Commentary / (by Richard Leppert) ; Music, language, and composition (1956) ; Why is the new art so hard to understand? (1931) ; On the contemporary relationship of philosophy and music (1953) ; On the problem of musical analysis (1969) ; The aging of the new music (1955) ; The dialectical composer (1934) -- Culture, technology, and listening. Commentary / (by Richard Leppert) ; The radio symphony (1941) ; The curves of the needle (1927/1965) ; The form of the phonograph record (1934) ; Opera and the long-playing record (1969) ; On the fetish-character in music and the regression of listening (1938) ; Little heresy (1965) -- Music and mass culture. Commentary / (by Richard Leppert) ; What national socialism has done to the arts (1945) ; On the social situation of music (1932) ; On popular music [with the assistance of George Simpson] (1941) ; On jazz (1936) ; Farewell to jazz (1933) ; Kitsch (c. 1932) ; Music in the background (c. 1934) -- Composition, composers, and works. Commentary / (by Richard Leppert) ; Late style in Beethoven (1937) ; Alienated masterpiece: The missa solemnis (1959) ; Wagner's relevance for today (1963) ; Mahler today (1930) ; Marginalia on Mahler (1936) ; The opera Wozzeck (1929) ; Toward and understanding of Schoenberg (1955/1967) ; Difficulties (1964, 1966).".
• catalog title "Essays on music / Theodor W. Adorno ; selected, with introduction, commentary, and notes by Richard Leppert ; new translations by Susan H. Gillespie.".
• catalog type "text".