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• catalog abstract ""As art historians have long known, the discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. Japan, France shows that leading French writers shared that shock of encounter and also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of Modernism."--Jacket.".
• catalog contributor b13305173.
• catalog coverage "Japan In literature.".
• catalog created "c2004.".
• catalog date "2004".
• catalog date "c2004.".
• catalog dateCopyrighted "c2004.".
• catalog description ""As art historians have long known, the discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. Japan, France shows that leading French writers shared that shock of encounter and also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of Modernism."--Jacket.".
• catalog description "Includes bibliographical references (p. 489-508) and index.".
• catalog description "Introduction: The shock of encounter. The painters' discovery of Japanese prints in Paris ; Old guard Orientalism and Avant-garde Japonisme ; Approaches to aesthetics. -- Convergence of painters and writers. Historical orientations ; Writers on painting ; Early literary Japonisme: The Goncourts. -- Naturalist and fin-de-siècle configurations. Zola's Japoniste art novel: L'Ouevre ; Japoniste strategies of vision in the Rougon-Macquart cycle ; Fin-de-siècle fictions: Huysmans, Loti, Judith Gautier ; The first literary translations of Japanese poetry. -- Symbolism and Japoniste contexts. An 1880s dispute over aesthetic value: the French position ; Intellectual contexts of symbolism: Asia as interlocutor ; Mallarmé: Las de l'amer repos as aesthetic agenda ; A new poetics. -- Designs in contrastive aesthetics. Currents of Japonisme in 1900: redefining the Japanese prints ; Le Japon artistique and La Revue blanche: Fénéon and Dujardin ; Satires and reassessments ; Proust: from a Japoniste cup of tea. --The Japoniste poetics of early modernism. Poet and ambassador of aesthetics: Claudel ; French principles of translating Haiku, 1905-20: Couchoud and Revon ; "Le Mouvement haï-kaï" ; Éluard and the Japoniste apprenticeship. -- The samurais of modernism. Two interwar apprenticeships: Yourcenar and Malraux ; Changing contexts in France: virilizing the effeminate ; Art and the samurai: Picasso and the Antimémoires ; The samurai as writer: Mishima, Un Homme obscur. -- The counter-discourse of Japan. Modes of intuition: Bergson, Kuki, Sarte ; A semiotic Japonisme: Barthes ; A poststructuralist Japonisme: Lyotard. -- Merging East-West aesthetics. New novels: Duras, Kristeva, Cixous ; Kabuki in Paris: Mnouchkine and the Théâtre du Soleil ; The ever new haiku: Bonnefoy, Roubaud, Jaccottet. -- Epilogue. Retrospective: Butor ; Prospective: Oseki Dépré.".
• catalog extent "520 p. :".
• catalog hasFormat "Japan, France, and East-West aesthetics.".
• catalog identifier "0838640109 (alk. paper)".
• catalog isFormatOf "Japan, France, and East-West aesthetics.".
• catalog issued "2004".
• catalog issued "c2004.".
• catalog language "eng".
• catalog publisher "Madison [N.J.] : Fairleigh Dickinson University Press,".
• catalog relation "Japan, France, and East-West aesthetics.".
• catalog spatial "Japan In literature.".
• catalog subject "840.9/3252/0904 22".
• catalog subject "Art, Japanese.".
• catalog subject "French literature 19th century History and criticism.".
• catalog subject "French literature 20th century History and criticism.".
• catalog subject "PQ295.J36 H65 2004".
• catalog tableOfContents "Introduction: The shock of encounter. The painters' discovery of Japanese prints in Paris ; Old guard Orientalism and Avant-garde Japonisme ; Approaches to aesthetics. -- Convergence of painters and writers. Historical orientations ; Writers on painting ; Early literary Japonisme: The Goncourts. -- Naturalist and fin-de-siècle configurations. Zola's Japoniste art novel: L'Ouevre ; Japoniste strategies of vision in the Rougon-Macquart cycle ; Fin-de-siècle fictions: Huysmans, Loti, Judith Gautier ; The first literary translations of Japanese poetry. -- Symbolism and Japoniste contexts. An 1880s dispute over aesthetic value: the French position ; Intellectual contexts of symbolism: Asia as interlocutor ; Mallarmé: Las de l'amer repos as aesthetic agenda ; A new poetics. -- Designs in contrastive aesthetics. Currents of Japonisme in 1900: redefining the Japanese prints ; Le Japon artistique and La Revue blanche: Fénéon and Dujardin ; Satires and reassessments ; Proust: from a Japoniste cup of tea. --The Japoniste poetics of early modernism. Poet and ambassador of aesthetics: Claudel ; French principles of translating Haiku, 1905-20: Couchoud and Revon ; "Le Mouvement haï-kaï" ; Éluard and the Japoniste apprenticeship. -- The samurais of modernism. Two interwar apprenticeships: Yourcenar and Malraux ; Changing contexts in France: virilizing the effeminate ; Art and the samurai: Picasso and the Antimémoires ; The samurai as writer: Mishima, Un Homme obscur. -- The counter-discourse of Japan. Modes of intuition: Bergson, Kuki, Sarte ; A semiotic Japonisme: Barthes ; A poststructuralist Japonisme: Lyotard. -- Merging East-West aesthetics. New novels: Duras, Kristeva, Cixous ; Kabuki in Paris: Mnouchkine and the Théâtre du Soleil ; The ever new haiku: Bonnefoy, Roubaud, Jaccottet. -- Epilogue. Retrospective: Butor ; Prospective: Oseki Dépré.".
• catalog title "Japan, France, and East-West aesthetics : French literature, 1867-2000 / Jan Walsh Hokenson.".
• catalog type "Criticism, interpretation, etc. fast".
• catalog type "text".