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• catalog abstract ""Under the strict rule of twentieth-century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"--A place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience's right to disagree." "Joan FitzPatrick Dean's Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Bulter Yeats, John Millington Synge, and Sean O'Casey, as well as the works of less known playwrights such as George Birmingham. Dean's original research meticulously analyzes Ireland's great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century's end as at its beginning, was pluralistic, heterogeneous, and complex."--Jacket.".
• catalog alternative "Project Muse UPCC books net".
• catalog contributor b13326172.
• catalog created "2004.".
• catalog date "2004".
• catalog date "2004.".
• catalog dateCopyrighted "2004.".
• catalog description ""Joan FitzPatrick Dean's Riot and Great Anger suggests that while there was no state censorship in early-twentieth-century Ireland, the theater often evoked heated responses from theatergoers, sometimes resulting in riots and the public denunciation of playwrights and artists. Dean examines the plays that provoked these controversies, the degree to which they were "censored" by the audience or actors, and the range of responses from both the press and the courts. She addresses familiar pieces such as those of William Bulter Yeats, John Millington Synge, and Sean O'Casey, as well as the works of less known playwrights such as George Birmingham.".
• catalog description ""Under the strict rule of twentieth-century Irish censorship, creators of novels, films, and most periodicals found no option but to submit and conform to standards. Stage productions, however, escaped official censorship. The theater became a "public space"--A place to air cultural confrontations between Church and State, individual and community, and "freedom of the theatre" versus the audience's right to disagree."".
• catalog description "Dean's original research meticulously analyzes Ireland's great theatrical tradition, both on the stage and off, concluding that the public responses to these controversial productions reveal a country that, at century's end as at its beginning, was pluralistic, heterogeneous, and complex."--Jacket.".
• catalog description "Includes bibliographical references and index.".
• catalog description "Theatrical censorship and disorder in Ireland -- Theatre, art, and censorship -- The evil genius -- The boom of the ban -- The riot in Westport -- The freedom of the theatre in the Irish Free State, 1922-1929 -- Irish stage censorship from Salome through Roly Poly -- The fifties -- New theatrical economies.".
• catalog extent "xiii, 261 p. :".
• catalog identifier "0299196607 (alk. paper)".
• catalog isPartOf "Irish studies in literature and culture".
• catalog issued "2004".
• catalog issued "2004.".
• catalog language "eng".
• catalog publisher "Madison : University of Wisconsin Press,".
• catalog spatial "Ireland".
• catalog subject "363.31/09417/0904 22".
• catalog subject "PN2044.I73 D43 2004".
• catalog subject "Theater Censorship Ireland History 20th century.".
• catalog tableOfContents "Theatrical censorship and disorder in Ireland -- Theatre, art, and censorship -- The evil genius -- The boom of the ban -- The riot in Westport -- The freedom of the theatre in the Irish Free State, 1922-1929 -- Irish stage censorship from Salome through Roly Poly -- The fifties -- New theatrical economies.".
• catalog title "Riot and great anger : stage censorship in twentieth-century Ireland / Joan FitzPatrick Dean.".
• catalog type "History. fast".
• catalog type "text".