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• catalog abstract ""American independent films have to many observers provided the only experimental and distinctive voices in recent US cinema. Now an increasingly pervasive influence on contemporary European cinema and mainstream Hollywood, a whole generation of innovative and idiosyncratic American film-makers including Steven Soderbergh, Todd Haynes, Hal Hartley and Jim Jarmusch emerged during the critical and commercial renaissance of the late 1980s and 1990s. Jason Wood's guide defines and outlines a personal but representative selection of a hundred recommended American independent films. Listing titles such as sex, lies and videotape, Blood Simple, Reservoir Dogs, right up to Donnie Darko, each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. The author's expert but concise selection, part of the new 'BFI Screen Guides' series, is an informative map to one of the most vital areas in the contemporary film-making scene. Book jacket."--BOOK JACKET.".
• catalog alternative "Hundred American independent films".
• catalog alternative "One hundred American independent films".
• catalog contributor b13333304.
• catalog contributor b13333305.
• catalog contributor b13333306.
• catalog created "2004.".
• catalog date "2004".
• catalog date "2004.".
• catalog dateCopyrighted "2004.".
• catalog description ""American independent films have to many observers provided the only experimental and distinctive voices in recent US cinema. Now an increasingly pervasive influence on contemporary European cinema and mainstream Hollywood, a whole generation of innovative and idiosyncratic American film-makers including Steven Soderbergh, Todd Haynes, Hal Hartley and Jim Jarmusch emerged during the critical and commercial renaissance of the late 1980s and 1990s. Jason Wood's guide defines and outlines a personal but representative selection of a hundred recommended American independent films. Listing titles such as sex, lies and videotape, Blood Simple, Reservoir Dogs, right up to Donnie Darko, each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. The author's expert but concise selection, part of the new 'BFI Screen Guides' series, is an informative map to one of the most vital areas in the contemporary film-making scene. Book jacket."--BOOK JACKET.".
• catalog description "Includes bibliographical references (p. [245]-248) and index.".
• catalog description "Preface / Scott McGehee and David Siegel -- Angel City, Jon Jost, 1977 -- Another Girl, Another Planet, Michael Almereyda, 1992 -- Badlands, Terrence Malick, 1973 -- Bad Lieutenant, Abel Ferrara, 1992 -- Being John Malkovich, Spike Jonze, 1999 -- Blair Witch Project, Daniel Myrick, Eduardo Sanchez, 1999 -- Blood Simple, Joel Coen, 1983 -- Boogie Nights, Paul Thomas Anderson, 1997 -- Born in Flames, Lizzie Borden, 1983 -- Bottle Rocket, Wes Anderson, 1996 -- Boys Don't Cry, Kimberly Peirce, 1999 -- Boyz N the Hood, John Singleton, 1991 -- Buffalo '66, Vincent Gallo, 1997 -- Candy Mountain, Robert Frank, Rudy Wurlitzer, 1987 -- Chan Is Missing, Wayne Wang, 1981 -- Chuck and Buck, Miguel Arteta, 2000 -- Clean, Shaven, Lodge Kerrigan, 1993 -- Clerks, Kevin Smith, 1993 -- Crumb, Terry Zwigoff, 1995 -- Dark Days, Marc Singer, 2000 -- Daughters of the Dust, Julie Dash, 1991 -- Daytrippers, Greg Mottola, 1995 -- Donnie Darko, Richard Kelly, 2001 -- Don't Look Back, D. A. Pennebaker, 1967 -- Do the Right Thing, Spike Lee, 1989 -- Down by Law, Jim Jarmusch, 1986 -- Drugstore Cowboy, Gus Van Sant, 1989 -- Easy Rider, Dennis Hopper, 1969 -- Eating Raoul, Paul Bartel, 1982 -- El Mariachi, Robert Rodriguez, 1992 -- Eraserhead, David Lynch, 1976 -- Evil Dead, Sam Raimi, 1982 -- Faster, Pussycat! Kill! Kill!, Russ Meyer, 1965 -- F for Fake (Verites et mensonges), Orson Welles, 1973 -- Gas Food Lodging, Allison Anders, 1991 -- George Washington, David Gordon Green, 2000 -- Girlfight, Karyn Kusama, 1999 -- Go Fish, Rose Troche, 1994 -- Gummo, Harmony Korine, 1997 -- Heavy, James Mangold, 1995 -- Henry: Portrait of a Serial Killer, John McNaughton, 1986 -- High Art, Lisa Cholodenko, 1998 -- Hoop Dreams, Steve James, 1994 -- Impostors, Mark Rappaport, 1979 -- In the Company of Men, Neil LaBute, 1997 -- In the Soup, Alexandre Rockwell, 1992 -- Juice, Ernest Dickerson, 1992 --".
• catalog extent "xiii, 263 p. :".
• catalog hasFormat "100 American independent films.".
• catalog identifier "1844570053 (hbk.)".
• catalog identifier "1844570061 (pbk.)".
• catalog isFormatOf "100 American independent films.".
• catalog isPartOf "BFI screen guides".
• catalog issued "2004".
• catalog issued "2004.".
• catalog language "eng".
• catalog publisher "London : BFI,".
• catalog relation "100 American independent films.".
• catalog spatial "United States".
• catalog spatial "United States.".
• catalog subject "791.43750973 22".
• catalog subject "Independent filmmakers United States.".
• catalog subject "Motion pictures United States History.".
• catalog subject "PN1993.5.U6 W58 2004".
• catalog tableOfContents "Preface / Scott McGehee and David Siegel -- Angel City, Jon Jost, 1977 -- Another Girl, Another Planet, Michael Almereyda, 1992 -- Badlands, Terrence Malick, 1973 -- Bad Lieutenant, Abel Ferrara, 1992 -- Being John Malkovich, Spike Jonze, 1999 -- Blair Witch Project, Daniel Myrick, Eduardo Sanchez, 1999 -- Blood Simple, Joel Coen, 1983 -- Boogie Nights, Paul Thomas Anderson, 1997 -- Born in Flames, Lizzie Borden, 1983 -- Bottle Rocket, Wes Anderson, 1996 -- Boys Don't Cry, Kimberly Peirce, 1999 -- Boyz N the Hood, John Singleton, 1991 -- Buffalo '66, Vincent Gallo, 1997 -- Candy Mountain, Robert Frank, Rudy Wurlitzer, 1987 -- Chan Is Missing, Wayne Wang, 1981 -- Chuck and Buck, Miguel Arteta, 2000 -- Clean, Shaven, Lodge Kerrigan, 1993 -- Clerks, Kevin Smith, 1993 -- Crumb, Terry Zwigoff, 1995 -- Dark Days, Marc Singer, 2000 -- Daughters of the Dust, Julie Dash, 1991 -- Daytrippers, Greg Mottola, 1995 -- Donnie Darko, Richard Kelly, 2001 -- Don't Look Back, D. A. Pennebaker, 1967 -- Do the Right Thing, Spike Lee, 1989 -- Down by Law, Jim Jarmusch, 1986 -- Drugstore Cowboy, Gus Van Sant, 1989 -- Easy Rider, Dennis Hopper, 1969 -- Eating Raoul, Paul Bartel, 1982 -- El Mariachi, Robert Rodriguez, 1992 -- Eraserhead, David Lynch, 1976 -- Evil Dead, Sam Raimi, 1982 -- Faster, Pussycat! Kill! Kill!, Russ Meyer, 1965 -- F for Fake (Verites et mensonges), Orson Welles, 1973 -- Gas Food Lodging, Allison Anders, 1991 -- George Washington, David Gordon Green, 2000 -- Girlfight, Karyn Kusama, 1999 -- Go Fish, Rose Troche, 1994 -- Gummo, Harmony Korine, 1997 -- Heavy, James Mangold, 1995 -- Henry: Portrait of a Serial Killer, John McNaughton, 1986 -- High Art, Lisa Cholodenko, 1998 -- Hoop Dreams, Steve James, 1994 -- Impostors, Mark Rappaport, 1979 -- In the Company of Men, Neil LaBute, 1997 -- In the Soup, Alexandre Rockwell, 1992 -- Juice, Ernest Dickerson, 1992 --".
• catalog title "100 American independent films / Jason Wood ; [preface, Scott McGehee and David Siegel].".
• catalog title "Hundred American independent films".
• catalog title "One hundred American independent films".
• catalog type "History. fast".
• catalog type "text".