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- 2001002488 contributor B8909185.
- 2001002488 created "2001.".
- 2001002488 date "2001".
- 2001002488 date "2001.".
- 2001002488 dateCopyrighted "2001.".
- 2001002488 description "Includes bibliographical references (p. 251-259) and index.".
- 2001002488 description "Machine generated contents note: Acknowledgements -- Introduction: The Battle For Realism -- The Field of Battle -- The Pioneers -- The Combatants -- The Generals -- BATTLE LINES -- A Modernist Road to Realism -- Towards a New Realism of the Imagination -- French Art in London -- David Sylvester in Paris -- The School of London -- London-Paris -- Recent Trends in Realist Painting -- A British Road to Social Realism -- Re-establishing the Tradition and Post-War Reconstruction -- The Demon of Progress: The Rehabilitation of Wyndham Lewis -- Britain's Cultural Heritage: The CPGB and National Sovereignty -- Hogarth and English Caricature: The Revival of Illustration and Reportage -- English Echoes: The Legacy of Walter Sickert -- A Realist Tradition: From Euston. Road to the Slade -- European Roads to Social Realism -- Social and Socialist Realism in Europe -- Realisme: French Social Realism -- Realismo: Guttuso and Italian Socialist Realism -- MOBILISATION -- Renunciation and Reinvention -- Let's be Realistic: Henry Moore and Humanism -- The Reek of Human Blood: Graham Sutherland and Realism -- The Anatomy of Horror: Francis Bacon and Concealment -- The Backwash of Surrealist Art: Lucian Freud and Portraiture -- Social Realism and the Young -- A Common Attitude: British Social Realism -- The Mirror and the Square: John Berger and the AIA -- Constructive Realism: The Looking Forward exhibition of I952 -- Paintings for the Kitchen: Helen Lessore and the Beaux Arts Quartet -- Looking at People: British Art in Russia -- The Human Condition -- Pictorial Anatomy: Art and Allusion -- Negative Dialectics: Black Realism from Picasso and Bacon to Auerbach and Kossoff -- The Wonder and Horror of the Human Head: The Stimulus of Photography -- The English Existentialists: The Impact of Bacon, Giacometti and Coldstream -- CONFLICT -- Government and the Arts in Britain -- The Unknown Political Prisoner -- Peace Against War: Picasso in England -- The God that Failed: The Renunciation of Communism -- In Camera: George Orwell, Francis Bacon and State Control -- Artists and the H-Bomb: Artists for Peace and the Founding of CND -- Staying Socialist: Attacks on Social Realism -- Looking Forward is Depressing: Early Attacks on Social Realism -- The Four Seasons: The Beaux Arts Quartet After I956 -- Seeing Red: John Berger's Later Criticism -- New Trends: Attacks on Modernist Realism -- Realistic Trends in Neurotic Painting: Attacks on Modernist Realism -- Lawrence Alloway and the Challenge of Post-War Painting -- Abstract Humanism: A Moment of Synthesis -- The New American Painting: Responses to Abstract Expressionism -- EPILOGUE: CEASEFIRE.".
- 2001002488 extent "272 p. :".
- 2001002488 identifier "0300090897 (alk. paper)".
- 2001002488 identifier 2001002488.html.
- 2001002488 issued "2001".
- 2001002488 issued "2001.".
- 2001002488 language "eng".
- 2001002488 publisher "New Haven : Yale University Press,".
- 2001002488 subject "709/.41/09045 21".
- 2001002488 subject "Art, British 20th century.".
- 2001002488 subject "Figurative art, British.".
- 2001002488 subject "N6768.5.F55 H97 2001".
- 2001002488 tableOfContents "Machine generated contents note: Acknowledgements -- Introduction: The Battle For Realism -- The Field of Battle -- The Pioneers -- The Combatants -- The Generals -- BATTLE LINES -- A Modernist Road to Realism -- Towards a New Realism of the Imagination -- French Art in London -- David Sylvester in Paris -- The School of London -- London-Paris -- Recent Trends in Realist Painting -- A British Road to Social Realism -- Re-establishing the Tradition and Post-War Reconstruction -- The Demon of Progress: The Rehabilitation of Wyndham Lewis -- Britain's Cultural Heritage: The CPGB and National Sovereignty -- Hogarth and English Caricature: The Revival of Illustration and Reportage -- English Echoes: The Legacy of Walter Sickert -- A Realist Tradition: From Euston. Road to the Slade -- European Roads to Social Realism -- Social and Socialist Realism in Europe -- Realisme: French Social Realism -- Realismo: Guttuso and Italian Socialist Realism -- MOBILISATION -- Renunciation and Reinvention -- Let's be Realistic: Henry Moore and Humanism -- The Reek of Human Blood: Graham Sutherland and Realism -- The Anatomy of Horror: Francis Bacon and Concealment -- The Backwash of Surrealist Art: Lucian Freud and Portraiture -- Social Realism and the Young -- A Common Attitude: British Social Realism -- The Mirror and the Square: John Berger and the AIA -- Constructive Realism: The Looking Forward exhibition of I952 -- Paintings for the Kitchen: Helen Lessore and the Beaux Arts Quartet -- Looking at People: British Art in Russia -- The Human Condition -- Pictorial Anatomy: Art and Allusion -- Negative Dialectics: Black Realism from Picasso and Bacon to Auerbach and Kossoff -- The Wonder and Horror of the Human Head: The Stimulus of Photography -- The English Existentialists: The Impact of Bacon, Giacometti and Coldstream -- CONFLICT -- Government and the Arts in Britain -- The Unknown Political Prisoner -- Peace Against War: Picasso in England -- The God that Failed: The Renunciation of Communism -- In Camera: George Orwell, Francis Bacon and State Control -- Artists and the H-Bomb: Artists for Peace and the Founding of CND -- Staying Socialist: Attacks on Social Realism -- Looking Forward is Depressing: Early Attacks on Social Realism -- The Four Seasons: The Beaux Arts Quartet After I956 -- Seeing Red: John Berger's Later Criticism -- New Trends: Attacks on Modernist Realism -- Realistic Trends in Neurotic Painting: Attacks on Modernist Realism -- Lawrence Alloway and the Challenge of Post-War Painting -- Abstract Humanism: A Moment of Synthesis -- The New American Painting: Responses to Abstract Expressionism -- EPILOGUE: CEASEFIRE.".
- 2001002488 title "The battle for realism : figurative art in Britain during the Cold War, 1945-60 / James Hyman.".
- 2001002488 type "text".