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- 2005014113 contributor B10120928.
- 2005014113 created "c2006.".
- 2005014113 date "2006".
- 2005014113 date "c2006.".
- 2005014113 dateCopyrighted "c2006.".
- 2005014113 description "Includes bibliographical references (p. [271]-291) and index.".
- 2005014113 description "Introduction -- The muse as immaculate beloved : Stendhal's 'crystallization' process and listening to Rossini and Beethoven -- Schumann, Chopin, the fan of Eros, and the beloved's kiss -- The muse as temptress and redemptress : Sibelius's early symphonic narratives -- Mahler's fifth and sixth symphonies : idyllic fantasies, the sublime, formal mastery, and processes of mourning and reparation -- 'She dies' : trauma and erotic elegy in Bartók's pre-First World War music -- Names, chords, and the 'pale princess' in Debussy's musical language of love -- Poulenc's erotics of humour, melancholy, abjection, and redemption -- Names, chords and Lulu's portrait as muse -- Fetishistic 'inventions on a chord' : Szymanowski, Schumann, Brahms, Wagner, Weill, and Poulenc.".
- 2005014113 extent "xii, 300 p. :".
- 2005014113 identifier "0754635708 (alk. paper)".
- 2005014113 identifier "9780754635703 (alk. paper)".
- 2005014113 identifier 2005014113.html.
- 2005014113 issued "2006".
- 2005014113 issued "c2006.".
- 2005014113 language "eng".
- 2005014113 publisher "Aldershot, England ; Burlington, VT : Ashgate,".
- 2005014113 subject "781/.11 22".
- 2005014113 subject "ML3838 .D75 2006".
- 2005014113 subject "Music Psychological aspects.".
- 2005014113 subject "Music and erotica.".
- 2005014113 subject "Musical analysis.".
- 2005014113 tableOfContents "Introduction -- The muse as immaculate beloved : Stendhal's 'crystallization' process and listening to Rossini and Beethoven -- Schumann, Chopin, the fan of Eros, and the beloved's kiss -- The muse as temptress and redemptress : Sibelius's early symphonic narratives -- Mahler's fifth and sixth symphonies : idyllic fantasies, the sublime, formal mastery, and processes of mourning and reparation -- 'She dies' : trauma and erotic elegy in Bartók's pre-First World War music -- Names, chords, and the 'pale princess' in Debussy's musical language of love -- Poulenc's erotics of humour, melancholy, abjection, and redemption -- Names, chords and Lulu's portrait as muse -- Fetishistic 'inventions on a chord' : Szymanowski, Schumann, Brahms, Wagner, Weill, and Poulenc.".
- 2005014113 title "The muse as Eros : music, erotic fantasy and the male creativity in the romantic and modern imagination / Stephen Downes.".
- 2005014113 type "text".