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- 2006045354 abstract "The documentation of practice forms one of the principal concerns of performance studies, provding an ongoing dilemma for theorists and practitioners alike who at once celebrate the ephemerality of the live arts, yet grapple with the need to know, see and think about performance after the disappearance of the thing itself. This ground-breaking new book explores the theoretical, political and even moral implications of this tension between documentation and disappearance, suggesting that it is the space between these two discourses, a space of fragmentations and representations, which forms the site of our cultural knowledge and enduring imagination of performance. Concentrating on contemporary performance practice and with particular emphasis on the transformative impact of video, photography and writing, Matthew Reason uses the representational traces of theatre and dance as an insightful and interrogative form of knowledge and way of seeing live performance in its continuing absence.".
- 2006045354 contributor B10459455.
- 2006045354 created "2006.".
- 2006045354 date "2006".
- 2006045354 date "2006.".
- 2006045354 dateCopyrighted "2006.".
- 2006045354 description "Includes bibliographical references (p. 253-262) and index.".
- 2006045354 description "List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Introduction -- PART I -- Archives -- Proper Research, Improper Memory -- Self-Representation -- PART II -- Video Documents -- Screen Reworkings -- PART III -- Photography, Truth and Revelation -- Photography, Publicity and Representation -- PART IV -- Reviewing Performance -- Writing the Live -- The Representation of Live Performance -- Notes -- Performance Works Cited.".
- 2006045354 description "The documentation of practice forms one of the principal concerns of performance studies, provding an ongoing dilemma for theorists and practitioners alike who at once celebrate the ephemerality of the live arts, yet grapple with the need to know, see and think about performance after the disappearance of the thing itself. This ground-breaking new book explores the theoretical, political and even moral implications of this tension between documentation and disappearance, suggesting that it is the space between these two discourses, a space of fragmentations and representations, which forms the site of our cultural knowledge and enduring imagination of performance. Concentrating on contemporary performance practice and with particular emphasis on the transformative impact of video, photography and writing, Matthew Reason uses the representational traces of theatre and dance as an insightful and interrogative form of knowledge and way of seeing live performance in its continuing absence.".
- 2006045354 extent "xii, 269 p. :".
- 2006045354 identifier "1403997071".
- 2006045354 identifier "9781403997074 (hc)".
- 2006045354 identifier 2006045354-d.html.
- 2006045354 identifier 2006045354-t.html.
- 2006045354 issued "2006".
- 2006045354 issued "2006.".
- 2006045354 language "eng".
- 2006045354 publisher "Basingstoke [England] ; New York : Palgrave Macmillan,".
- 2006045354 subject "791 22".
- 2006045354 subject "PN1590.T43 R43 2006".
- 2006045354 subject "Performing arts Information resources.".
- 2006045354 subject "Performing arts Technique.".
- 2006045354 tableOfContents "List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Introduction -- PART I -- Archives -- Proper Research, Improper Memory -- Self-Representation -- PART II -- Video Documents -- Screen Reworkings -- PART III -- Photography, Truth and Revelation -- Photography, Publicity and Representation -- PART IV -- Reviewing Performance -- Writing the Live -- The Representation of Live Performance -- Notes -- Performance Works Cited.".
- 2006045354 title "Documentation, disappearance and the representation of live performance / Matthew Reason.".
- 2006045354 type "text".