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2006050779 contributor B10465505.
2006050779 created "2007.".
2006050779 date "2007".
2006050779 date "2007.".
2006050779 dateCopyrighted "2007.".
2006050779 description "Includes bibliographical references (p. 248-252) and index.".
2006050779 description "Includes filmography: p. 252-253.".
2006050779 description "Part I: Shakespeare and the language of film : Filming and staging Shakespeare: some contrasts ; The audience: individual and collective experience ; The space of the movie screen ; Imagery: verbal and visual ; Putting it all together -- Part II: The history of Shakespeare on film 1899-2005 : Silent Shakespeare ; The thirties: Hollywood Shakespeare ; The forties: Olivier and Welles ; The fifties: postwar diversity ; The sixties and seventies: Cultural revolution, filmic innovation ; The nineties: Branagh's renaissance and the Shakespeare on film revival ; 2000 and beyond: Shakespeare on film in the new millennium -- Part III: Communicating Shakespeare on film : Modes, styles, genres ; The theatrical mode ; The realistic mode ; The filmic mode ; The periodising mode ; Film genre: conventions and codes ; Genre conventions and the Shakespeare film adaptation ; A cross-cultural Shakespeare adaptation: Kurosawa's Kumonosu-Jô -- Part IV: Critical essays : Comedies: Kenneth Branagh's Much ado about nothing (UK, 1993), Adrian Noble's A midsummer night's dream (UK, 1996) ; Michael Hoffman's A midsummer night's dream (USA, 1999) ; Histories: Laurence Olivier's Henry V (UK, 1944) ; Kenneth Branagh's Henry V (UK, 1989) ; Laurence Olivier's Richard III (UK, 1955) ; Richard Loncraine's Richard III (UK, 1995) ; Tragedies: Franco Zeffirelli's Romeo and Juliet (UK/Italy, 1968) ; Baz Luhrmann's William Shakespeare's Romeo + Juliet (USA, 1996) ; Laurence Olivier's Hamlet (UK, 1948) ; Kenneth Branagh's Hamlet (UK, 1996) ; Michael Almereyda's Hamlet (USA, 2000) ; Orson Welles's Macbeth (USA, 1948) ; Roman Polanski's Macbeth (UK, 1971) -- Part V: Shakespeare on television ; Film and TV: the key differences ; The BBC-TV series: shooting the complete canon ; TV Shakespeare: the stage/screen hybrid ; Appendix 1: Box office data for selected Shakespeare film adaptations on theatrical release in US movie theatres from 1989 ; Appendix 2: Kenneth Brannagh's Much ado about nothing (1993): Structure of emotional registers and rhythms.".
2006050779 extent "xvii, 272 p. :".
2006050779 identifier "1403906726 (pbk.)".
2006050779 identifier "1403906734 (cloth)".
2006050779 identifier "9781403906724 (pbk.)".
2006050779 identifier "9781403906731 (cloth)".
2006050779 identifier 2006050779-b.html.
2006050779 identifier 2006050779-d.html.
2006050779 identifier 2006050779-t.html.
2006050779 issued "2007".
2006050779 issued "2007.".
2006050779 language "eng".
2006050779 publisher "Houndmills, Basingstoke [England] ; New York : Palgrave Macmillan,".
2006050779 subject "791.43/6 22".
2006050779 subject "English drama Film adaptations.".
2006050779 subject "Film adaptations History and criticism.".
2006050779 subject "PR3093 .H56 2007".
2006050779 subject "Shakespeare, William, 1564-1616 Film adaptations.".
2006050779 tableOfContents "Part I: Shakespeare and the language of film : Filming and staging Shakespeare: some contrasts ; The audience: individual and collective experience ; The space of the movie screen ; Imagery: verbal and visual ; Putting it all together -- Part II: The history of Shakespeare on film 1899-2005 : Silent Shakespeare ; The thirties: Hollywood Shakespeare ; The forties: Olivier and Welles ; The fifties: postwar diversity ; The sixties and seventies: Cultural revolution, filmic innovation ; The nineties: Branagh's renaissance and the Shakespeare on film revival ; 2000 and beyond: Shakespeare on film in the new millennium -- Part III: Communicating Shakespeare on film : Modes, styles, genres ; The theatrical mode ; The realistic mode ; The filmic mode ; The periodising mode ; Film genre: conventions and codes ; Genre conventions and the Shakespeare film adaptation ; A cross-cultural Shakespeare adaptation: Kurosawa's Kumonosu-Jô -- Part IV: Critical essays : Comedies: Kenneth Branagh's Much ado about nothing (UK, 1993), Adrian Noble's A midsummer night's dream (UK, 1996) ; Michael Hoffman's A midsummer night's dream (USA, 1999) ; Histories: Laurence Olivier's Henry V (UK, 1944) ; Kenneth Branagh's Henry V (UK, 1989) ; Laurence Olivier's Richard III (UK, 1955) ; Richard Loncraine's Richard III (UK, 1995) ; Tragedies: Franco Zeffirelli's Romeo and Juliet (UK/Italy, 1968) ; Baz Luhrmann's William Shakespeare's Romeo + Juliet (USA, 1996) ; Laurence Olivier's Hamlet (UK, 1948) ; Kenneth Branagh's Hamlet (UK, 1996) ; Michael Almereyda's Hamlet (USA, 2000) ; Orson Welles's Macbeth (USA, 1948) ; Roman Polanski's Macbeth (UK, 1971) -- Part V: Shakespeare on television ; Film and TV: the key differences ; The BBC-TV series: shooting the complete canon ; TV Shakespeare: the stage/screen hybrid ; Appendix 1: Box office data for selected Shakespeare film adaptations on theatrical release in US movie theatres from 1989 ; Appendix 2: Kenneth Brannagh's Much ado about nothing (1993): Structure of emotional registers and rhythms.".
2006050779 title "Studying Shakespeare on film / Maurice Hindle.".
2006050779 type "text".