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- 2006560613 abstract "This collection consists primarily of the correspondence of American dancer, choreographer, and company director Ruth Page and her first husband attorney Thomas Fisher, along with programs and clippings highlighting Page's career. The collection spans the years 1944 to 1960. The correspondence includes personal letters, contracts, telegrams, and postal cards between Page, Fisher, and French composer Remi Gassman regarding the creation and production of Page's ballet Billy Sunday. Other correspondence includes material from Gassman's wife, Marthe, ballet producer, S. J. Denham, composer Howard Hanson, and others. The collection documents Page's performances of her ballets Frankie and Johnny, The Bells, Billy Sunday, and Scrapbook, which were performed in the United States and France between 1946 and 1950. Clippings in the collection consist of several reviews of Page's works by well-known critics of the time.".
- 2006560613 accessRights "Access Advisory: Not all materials in this collection may be readily accessible; please request accessibility information well in advance of your visit".
- 2006560613 accessRights "Certain restrictions to use or copying of materials may apply.".
- 2006560613 accrualMethod "Purchase".
- 2006560613 contributor B10713406.
- 2006560613 date "1944".
- 2006560613 description "Finding aid available in the Library of Congress Performing Arts Reading Room and on the Internet.".
- 2006560613 description "Purchase Lion Heart Autographes Dec. 1995".
- 2006560613 description "Ruth Page collection, Music Division, Library of Congress.".
- 2006560613 description "This collection consists primarily of the correspondence of American dancer, choreographer, and company director Ruth Page and her first husband attorney Thomas Fisher, along with programs and clippings highlighting Page's career. The collection spans the years 1944 to 1960. The correspondence includes personal letters, contracts, telegrams, and postal cards between Page, Fisher, and French composer Remi Gassman regarding the creation and production of Page's ballet Billy Sunday. Other correspondence includes material from Gassman's wife, Marthe, ballet producer, S. J. Denham, composer Howard Hanson, and others. The collection documents Page's performances of her ballets Frankie and Johnny, The Bells, Billy Sunday, and Scrapbook, which were performed in the United States and France between 1946 and 1950. Clippings in the collection consist of several reviews of Page's works by well-known critics of the time.".
- 2006560613 extent "1 linear ft. (1 box, ca. 150 items)".
- 2006560613 identifier eadmus.mu2005.wp.0033.
- 2006560613 identifier ask-perform2.html.
- 2006560613 issued "1944".
- 2006560613 language "eng".
- 2006560613 rights "Certain restrictions to use or copying of materials may apply. Access Advisory: Not all materials in this collection may be readily accessible; please request accessibility information well in advance of your visit http://www.loc.gov/rr/askalib/ask-perform.html".
- 2006560613 spatial "United States".
- 2006560613 subject "Dancers United States Biography.".
- 2006560613 subject "Denham, S. J. Correspondence.".
- 2006560613 subject "Fisher, Thomas Hart Correspondence.".
- 2006560613 subject "Gassmann, Marthe Correspondence.".
- 2006560613 subject "Gassmann, Remi Correspondence.".
- 2006560613 subject "Hanson, Howard, 1896-1981 Correspondence.".
- 2006560613 subject "ML31 .P34".
- 2006560613 subject "Page, Ruth, 1899-1991 Correspondence.".
- 2006560613 subject "Page, Ruth, 1899-1991.".
- 2006560613 title "Ruth Page collection, 1944-1960.".
- 2006560613 type "collection".