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Matches in Library of Congress for { <http://lccn.loc.gov/2007019975> ?p ?o. }

• 2007019975 contributor B10772682.
• 2007019975 created "2007.".
• 2007019975 date "2007".
• 2007019975 date "2007.".
• 2007019975 dateCopyrighted "2007.".
• 2007019975 description "Includes bibliographical references (p. 329-349) and index.".
• 2007019975 description "The salaryman's panic time: Ozu Yasujirō's I was born, but...(1932) / Alastair Phillips -- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie -- Turning Serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg -- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby -- The riddle of the vase: Ozu Yasujirō's Late spring (1949) / Abé Mark Nornes -- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen -- The menace from the south seas: Honda Ishirō's Godzilla (1954) / Yomota Inuhiko -- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez --Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell -- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald -- Modernization without modernity: Masumura Yasuzō's Giants and toys (1958) / Michael Raine -- Questions of the new: Ōshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto -- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano -- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao -- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh -- Transgression and the politics of porn: Ōshima Nagisa's In the realm of the senses (1976) / Isolde Standish -- Unsettled visions: Imamura Shōhei's Vengeance is mine (1979) / Alastair Phillips -- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow -- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie -- Community and connection: Itami Jūzō's Tampopo (1985) / Linda Ehrlich -- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser -- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis -- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer -- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison.".
• 2007019975 extent "xviii, 363 p. :".
• 2007019975 identifier "0415328470 (hardback)".
• 2007019975 identifier "0415328489 (pbk.)".
• 2007019975 identifier "9780415328470 (hardback)".
• 2007019975 identifier "9780415328487 (pbk.)".
• 2007019975 identifier 2007019975-d.html.
• 2007019975 identifier 2007019975.html.
• 2007019975 issued "2007".
• 2007019975 issued "2007.".
• 2007019975 language "eng".
• 2007019975 publisher "London ; New York : Routledge,".
• 2007019975 spatial "Japan.".
• 2007019975 subject "791.430952 22".
• 2007019975 subject "Motion pictures Japan.".
• 2007019975 subject "PN1993.5.J3 J27 2007".
• 2007019975 tableOfContents "The salaryman's panic time: Ozu Yasujirō's I was born, but...(1932) / Alastair Phillips -- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie -- Turning Serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg -- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby -- The riddle of the vase: Ozu Yasujirō's Late spring (1949) / Abé Mark Nornes -- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen -- The menace from the south seas: Honda Ishirō's Godzilla (1954) / Yomota Inuhiko -- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez --Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell -- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald -- Modernization without modernity: Masumura Yasuzō's Giants and toys (1958) / Michael Raine -- Questions of the new: Ōshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto -- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano -- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao -- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh -- Transgression and the politics of porn: Ōshima Nagisa's In the realm of the senses (1976) / Isolde Standish -- Unsettled visions: Imamura Shōhei's Vengeance is mine (1979) / Alastair Phillips -- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow -- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie -- Community and connection: Itami Jūzō's Tampopo (1985) / Linda Ehrlich -- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser -- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis -- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer -- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison.".
• 2007019975 title "Japanese cinema : texts and contexts / edited by Alastair Phillips and Julian Stringer.".
• 2007019975 type "text".