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- 2008001729 contributor B11072806.
- 2008001729 created "c2008.".
- 2008001729 date "2008".
- 2008001729 date "c2008.".
- 2008001729 dateCopyrighted "c2008.".
- 2008001729 description "Includes bibliographical references (p. [309]-312).".
- 2008001729 description "Preface: Novel possibilities, or all animals aren't pigs? -- Introduction: Once upon a time : a short, chaotic, and entirely idiosyncratic history of the novel -- Pickup lines and open(ing) seductions or, why novels have first pages -- You can't breathe where the air is clear -- Who's in charge here? -- Never trust a narrator with a speaking part -- A still, small voice (or a great, galumphing one) -- Men (and women) made out of words, or, My pip ain't like your pip -- When very bad people happen to good novels -- Wrinkles in time, or Chapters just might matter -- Everywhere is just one place -- Clarissa's flowers -- Met-him-pike-hoses -- Life sentences -- Drowning in the stream of consciousness -- The light on Daisy's dock -- Fiction about fiction -- Source codes and recycle bins -- Interlude: Read with your ears -- Improbabilities : foundlings and magi, colonels and boy wizards -- What's the big idea--or even the small one? -- Who broke my novel? -- Untidy endings -- History in the novel/the novel in history -- Conspiracy theory -- Conclusion: The never-ending journey.".
- 2008001729 extent "xviii, 312 p. ;".
- 2008001729 identifier "0061340405 (pbk.)".
- 2008001729 identifier "9780061340406 (pbk.)".
- 2008001729 identifier 2008001729.html.
- 2008001729 issued "2008".
- 2008001729 issued "c2008.".
- 2008001729 language "eng".
- 2008001729 publisher "New York : Harper,".
- 2008001729 subject "809.3 22".
- 2008001729 subject "Books and reading.".
- 2008001729 subject "Fiction History and criticism.".
- 2008001729 subject "PN3365 .F67 2008".
- 2008001729 tableOfContents "Preface: Novel possibilities, or all animals aren't pigs? -- Introduction: Once upon a time : a short, chaotic, and entirely idiosyncratic history of the novel -- Pickup lines and open(ing) seductions or, why novels have first pages -- You can't breathe where the air is clear -- Who's in charge here? -- Never trust a narrator with a speaking part -- A still, small voice (or a great, galumphing one) -- Men (and women) made out of words, or, My pip ain't like your pip -- When very bad people happen to good novels -- Wrinkles in time, or Chapters just might matter -- Everywhere is just one place -- Clarissa's flowers -- Met-him-pike-hoses -- Life sentences -- Drowning in the stream of consciousness -- The light on Daisy's dock -- Fiction about fiction -- Source codes and recycle bins -- Interlude: Read with your ears -- Improbabilities : foundlings and magi, colonels and boy wizards -- What's the big idea--or even the small one? -- Who broke my novel? -- Untidy endings -- History in the novel/the novel in history -- Conspiracy theory -- Conclusion: The never-ending journey.".
- 2008001729 title "How to read novels like a professor / Thomas C. Foster.".
- 2008001729 type "text".